Summary | Drive My Car from Men Without Women: Stories by Haruki Murakami & Philip Gabriel, Vintage, 2017 (Originally Published in 2014)

Kafuku thinks women’s drivings are either too rough or too careful, also he found a sign of tension in a woman who can drive usually. There’s no tension like this was founded in drivings by men. Men can divide naturally and unconsciously the tension and existence of self.

So Kakufu puzzled that a veteran, skilled repairman Ohba recommended a middle twenties woman Misaki Watari as his driver. Ohba said she was not beautiful and inelegant, and smoked cigarettes profusely sometimes.

Kafuku’s yellow Saab 900 convertible was repaired and refined completely. When Ohba explained the details of the bill to Kafuku, Misaki arrived at the factory. Kafuku tested Misaki, they drove the central area of Tokyo. He found Misaki drove relaxingly and naturally. When they waited for a traffic light she smoked Marlboro cigarettes. Misaki said she is from a rural mountain area of Hokkaido, so she had driven car from the middle of teenage and her driving skill became very good. Misaki asked why Kafuku looked for a driver, so he talked about Kafuku’s minor collision and glaucoma.

Misaki drove Kafuku from his home in Ebisu to a theatre in Ginza. During drivings, Kafuku recited his lines of a drama. On the way home, Kafuku listened to Beethoven’s Strings Quartets and old pop music like the Beach Boys, the Rascals, Creedence Clearwater Revival, the Temptations. Misaki wasn’t conscious of his recitation and music, she was looked to be a kind of state of zen is made by driving.

When he sat in the side seat, sometimes he remembered his wife had passed away. Somehow she slept with at least four actors of which she plays together. But Kafuku and his wife lived together and slept with usually. Misaki was 24 years old. And she was the age to Kafuku’s child lived only 3 days. Kafuku and his wife were very shocked and they were completely absorbed in their job of acting. They decided they didn’t make a child, and she might begin to sleep with actors.

Misaki asked why Kafuku became an actor. Kafuku said he was unexpectedly invited to a student troupe by a girl, and he found he enjoyed himself acting, and he can become someone by acting and return himself. Then Misaki asked why Kafuku did make friends. Kafuku said he made a kind of friend ten years before, after his wife had passed away, and his name is Takatsuki, a handsome actor who must sleep with her several times. They got along in halves of a real friend and acting.

After the passed away of his wife, Kafuku came across Takatsuki in the lobby of a TV station. He invited Takatsuki to drink and talk about his wife. They drank and talked with her wife at a booth of a famous bar in Ginza. Kafuku had goodwill with him. And they promised to meet again.

They became friendly drinking companions. At a night, they drank at a small bar in Aoyama. Kafuku said he lost his wife completely and he couldn’t really understand the important part of her, it’s a blinking point. And Takatsuki said we (men) can’t completely understand what women think, and to watch others certainly we must only reflect ourselves profoundly.

(…)

Details of the Book

Men Without Women

Haruki Murakami

Bungeishunju, Tokyo, 7 October 2016

300 pages, JPY 748

ISBN: 978-4167907082

Men Without Women: Stories
Haruki Murakami (Author), Philip Gabriel (Translator), Ted Goossen (Translator)
Vintage, London, 17 May 2018
240 pages, £9.99
ISBN: 9781784705374
Contents:

  • Drive My Car
  • Yesterday
  • An Independent Organ
  • Cheherazade
  • Kino
  • Samsa in Love
  • Men Without Women

Related Posts and Pages

Book Review | Drive My Car from Men Without Women

Note (EN)| Drive My Car from Men Without Women

Summary | Novelist as a Profession

Note | Novelist as a Profession

Works of Haruki Murakami

Literature / littérature / Literatur Page

YouTube Haruki Murakami Commentary Playlist

YouTube Literature & Philosophy Channel

Note | Drive My Car from Men Without Women: Stories by Haruki Murakami & Philip Gabriel, Vintage, 2017 (Originally Published in 2014)

Information of the Book

A 52 paged short story (Japanese paperback edition), the first section of Men Without Women. The content is not relevant to the Beatles’ song, Drive My Car. Or, concerning from the lyrics, this title is an irony to Kafuku.

Characters

Kafuku – A middle aged character actor. His main job is theatre actor, and not an actor can play a leading role in a TV drama or a movie. Sometimes he played a small part in TV drama and did a lecturer of an actor school. His driving licence was revoked by drunken driving and glaucoma, so he looked for a driver.

Misaki Watari – A 24 years old woman is from Hokkaido, 165cm tall, plenty long black hair was tied in back of her head, wasn’t fat but be sturdy. She wasn’t beautiful and was inelegant, had big eyes and ears, wore men’s jacket as a uniform of driver. She is from a rural mountain area of Hokkaido, so she started drive a car from middle of teenager, and must became a good driver. Her mother passed away by drunken driving.

Ex-wife of Kafuku – An orthodox and mainstream beautiful actress. They married when he was 29 years old and she passed away suddenly by an uterine cancer when he was 49 years old. She slept with at least four actors of which she co-stared.

Takatsuki – A handsome and tall actor, but his acting is not well and has no sense of existence, only acted roles of descent and bracing middle aged man.

Ohba – The owner and a skilled repairman of a car repair shop.

Music

Beethoven Strings Quartets

The Beach Boys

The Rascals

Creedence Clearwater Revival

The Temptations

Key Elements

Car – Car is machine, but driving reflects one’s personality and characteristics. Kafuku thinks women’s drivings are either too rough or too careful, also he found a sign of tension from woman can drive usually.

Yellow Saab 900 Convertible – Kafuku’s own car. The car made in Sweden of the age is made durable. He had driven the car for 12 years and the running distance is over 100,000 km. The car was exhausted but he loved the car. He liked driving opening the roof and operate the manual shift, and when he wait for a traffic light he enjoyed to see sky, clouds and birds.

Cassette Tape – On Norwegian Wood, record implies incoherence and instability of human mind. Cassette Tape may imply stability and persistence of Kafuku.

Marlboro Cigarette – Misaki’s favorite tobacco brand. Originally Marlboro was made as a brand for women by Phillip Morris, but it became a symbol of cigarettes and the American masculinity and culture.

Uncle Vanya by Anton Chekhov

Timeline

Kafuku was unexpectedly invited a student troupe by a girl, and he found he enjoyed himself acting.

When he was 29 years old, Kafuku married with his wife, an orthodox beautiful actress.

Kafuku’s child passed away, he lived only three days.

After Kafuku and his wife had decided to not make a child, she started sleep with actors.

Takatsuki slept with the wife several times.

Just before her passed away, the wife said good-bye to Takatsuki.

When Kafuku was 49 years old, the wife suddenly passed away by an uterine cancer.

After the half a year to the passed away, Kafuku came across Takatsuki at a robby of a TV station and they started go around, met at bars, drunk and talked about Kafuku’s wife.

After the half a year to the come across, they didn’t meet suddenly.

10 years after, Kafuku’s driving licence was revoked by drunken driving and glaucoma.

Kafuku looked for a driver and hired Misaki Watari as a driver.

Plot & Episodes

Kafuku thinks women’s drivings are either too rough or too careful.

Kafuku looked for a driver of his car.

Ohba introduced a woman Misaki Watari as a driver.

Misaki did a test drive with Kafuku at the central part of Tokyo. She accepted the job.

Misaki drove Kafuku to a theatre in Ginza or TV stations.

When he sat the side seat, he remembered his ex-wife, an orthodox beautiful actress passed away.

2 months later, Misaki asked why Kafuku didn’t make friends. Kafuku said he made a kind of friend 10 years ago.

Kafuku remembered the relationship with an actor Takatsuki. They drunk and talked about the wife.

Kafuku and Takatsuki went around for half a year, didn’t meet suddenly.

In Kafuku’s car, he and Misaki talked about Takatsuki and the wife.

Summaries of Each Parts

pp. 19 – 21

Kafuku thinks women’s drivings are either too rough or too careful, also he found a sign of tension in woman can drive usually. There’s no tension like this in Men’s drivings. Men can divide naturally the tension and being of self.

pp. 22 – 23

So Kakufu puzzled that a veteran skilled repairman Ohba recommended a middle twenties woman Misaki Watari as his driver. Ohaba said she was not beautiful and inelegant, and smoked cigarets profusely.

pp. 23 – 32

Kafuku’s yellow Saab 900 convertible was repaired and refined completely. When Ohba explained the details of the bill to Kafuku, Misaki arrived the factory. Kafuku tested Misaki, they drove the central area of Tokyo. He found Misaki drove relaxingly and naturally. When she waited for a traffic light she smoked Marlboro cigarettes. Misaki said she is from a mountain area of Hokkaido, so she had drove car from middle of teenage and her skill of driving became good. They talked about Kafuku’s minor collision and glaucoma.

pp. 32 – 38

Misaki drove Kafuku from his home in Ebisu to a theatre in Ginza. During the drivings Kafuku recited his lines. On the way home, Kafuku listened Beethoven’s Strings Quartets and old pop music. Misaki wasn’t conscious to his recitation and music, she was looked like in a kind of state of zen is made by driving. When he sat the side seat, sometimes he remembered his wife had passed away. Somehow she slept with at least four actors of which she play together. But Kafuku and his wife lived together and slept with usually.

pp. 38 – 40

Misaki was 24 years old. And she was the age to Kafuku’s child lived only 3 days. Kafuku and his wife were very shocked and they were completely absorbed in their job of acting. They decided they didn’t make a child, and she might begin to slept with actors.

pp. 40 – 48

Misaki asked why Kafuku became actor. Kafuku said he was unexpectedly invited a student troupe by a girl, and he found he enjoyed himself acting, and he can become someone by acting and return himself. Then Misaki asked why Kafuku did make friends. Kafuku said he made a kind of friend ten years before, after his wife had passed away, and his name is Takatsuki, a handsome actor must sleep with her several times. They got along in halves of real friend and acting.

pp. 48 – 51

After the passed away of his wife, Kafuku came across Takatsuki at a robby of TV station. He invited Takatsuki to drink and talk about his wife.

pp. 51 – 55

They drank and talked with her wife at a booth of a famous bar in Ginza. Kafuku had a goodwill with him. And they promised to meet again.

pp. 56 – 61

They became friendly drinking companions. At a night, they drank at a small bar in Aoyama. Kafuku said he lost his wife completely and he couldn’t really understand the important part of her, it’s a blink point. And Takatsuki said we (men) can’t completely understand what women think, and to watch others certainly we must only reflect ourselves profoundly.

pp. 62 – 71

(…)

Remarks

  • Themes of this story is the differences between men and women, driving as a spiritual activity and acting as a common activity.
  • This story is a story about (a) machine. And car is not only a machine, one’s driving reflects human mind, sensibility, characteristics and personality.
  • Driving car in this novel is a psychological and spiritual activity. It is like playing a musical instrument, a communication to the environment or the world, a reflection to self and a spiritual treatment for one’s mind.
  • The notion by Kafuku on first part, suggests women can’t separate consciousness and action, and mind and body while an activity.
  • So women can truly act a roll of a drama.
  • Also this story is a story about actor and acting. And acting is a psychological and spiritual activity too. Kafuku said he can became someone by acting and it’s fun, and all people play roles. On Novelist as a Profession Murakami wrote he can become someone by writing novel.
  • Actor is a symbol of today’s people. He act a roll made by other(s). We all act social rolls, but by the rolls anyones lost their true selves. It’s essential problem in the contemporary world.
  • Watari Misaki is a person can across men and women. She is inelegant and manly woman, can understand the minds each of men and women. Watari in Japanese means “go across” or “cross over”, and Misaki means “cape”. And her favourite Marlboro cigarette is the symbol of American masculinity.

Details of the Book

Men Without Women

Haruki Murakami

Bungeishunju, Tokyo, 7 October 2016

300 pages, JPY 748

ISBN: 978-4167907082

Men Without Women: Stories
Haruki Murakami (Author), Philip Gabriel (Translator), Ted Goossen (Translator)
Vintage, London, 17 May 2018
240 pages, £9.99
ISBN: 9781784705374
Contents:

  • Drive My Car
  • Yesterday
  • An Independent Organ
  • Cheherazade
  • Kino
  • Samsa in Love
  • Men Without Women

Related Posts and Pages

Book Review | Drive My Car from Men Without Women

Summary | Drive My Car from Men Without Women

Summary | Novelist as a Profession

Note | Novelist as a Profession

Works of Haruki Murakami

Literature / littérature / Literatur Page

YouTube Haruki Murakami Commentary Playlist

YouTube Literature & Philosophy Channel

Note | Ghosts from the New York Trilogy by Paul Auster, Faber and Faber, 1992 (Originally Published in 1986)

Information of the Book

Paul Auster’s third (or second) novel and the second volume of the New York Trilogy. And the most symbolic and representative work of the trilogy.

Form, Style & Structure

A novelette uses the form and style of a detective story or mystery story. But it’s a philosophical and psychological story that describes the lack of human existence, the question for self, the emptiness of contemporary routine life and the impossibility of writing a novel or a story. Also, this is a novelette to deconstruct (the form of) story or narrative.

This novelette has no chapter and no blank line. I think it may imply this story is one (imaginary) allegory or a myth, inspite of more than one year passed in this story.

Characters

Blue – A private detective in New York. Blue was fond of deteptive stories and movies, and was not the Sherlock Holmes type. He wanted to dramatic and adventurous cases, but was imposed on a dull case, to watch Black all the time.

Black – A person to investigate by Blue, lives in an apartment in Brooklyn, and worked, wrote something, read books and ate beside the window most of the day. His hobby is to know the life of writers. (177) He said he was a private detective followed and watched a mysterious man who spent unchanging monotonous life over a year, in fact, the man is Blue. His true shape is White. (180 – 184) And he was like the Doppelgänger, the alter-ego or the looking-glass self of Blue. Blue felt friendship, harmony and sympathy for Black, also felt anxiety, fretfulness and hostility. The dilemma is an important plot of this novel.

White – A client of Blue, requested him to follow and investigate Black. When he visited the office of Blue, he disguised himself with a black beard, overly bushy eyebrows and white powder. (137) He appeared with a strange Hallowe’en mask at the Brooklyn Post Office and took a report by Blue. He noticed Blue and run away. (168 – 169) His true shape is Black. The case was devised by him from the beginning.

Brown – The former boss of Blue, told detective methods and skills to Blue. He had retired and lived in Florida, spent most of his time fishing.

Gray – He had been missing for several years, suffered the loss of memory. Blue found him at a bar near the house of Gray’s wife. So Green married with his wife twice. (141 – 142)

Gold – A coroner of Philadelphia. After he had retired, still devoted himself and pursued a murder of a boy. (143 – 144)

Father of Blue (151, 152)

Girlfriend of Black (155)

Red – A bartender uncannily resembles Green. (161)

Violet – A tart was in the bar of Red. She likes blue, Blue slept with her few times. (161 – 162)

Future Mrs. Blue – Blue’s girlfriend. But Blue had not kept in touch with her, because he was busy with Black’s case. She was disgusted with Blue. Blue saw her date with another man. (166)

Jimmy Rose – An poor beggar old man, the little Blue knew. Blue disguised him to talk with Black. (173 – 179)

Places

Apartment rent by White – A small studio apartment on the third floor, directly across the street from Black’s, was in Orange Street, Brooklyn. Strangely, it was fully equipped with furniture, kitchen supplies and a complete set of clothes fits for Blue.

Apartment of Black

Orange Street – A street exists in Brooklyn, New York. There were Blue and Black rooms. Walt Whitman worked on the street, Henry David Thoreau visited there to hear Henry Ward Beecher’s sermon at Plymouth Church, and Abraham Lincoln and Charles Dickens walked through the street and visited the church. It remains traces of persons who passed away (Ghosts) in the street. (174 – 176)

Brooklyn Bridge (150 – 152)

Ebbets Field (161)

Bar (161 – 162)

Movie Theatre – The summer arrived, then Blue occasionally went to a movie theatre. He is fond of the darkness of movie theatre, the pictures on the screen are like the thoughts inside his head. (162 – 164) Movie theatre is the place to watch and devote to a story in the blackness.

Brooklyn Post Office (168 – 169)

Algonquin Hotel (180 – 184)

Key Elements

To speculate – The word root of speculate is the Latin spclatus which means looking on and watching, also is the English spectrum which means mirror. Blue was watching Black, simultaneously he felt he was watching a mirror and himself. (146)

Weekly reports – A text by data or fragments of a person, has no story and meanings.

Art of disguise – It implies anyone can become another person by a novel or a story, but today’s people aren’t really who they are.

Walden by Henry David Thoreau – Irony and cynicism to Blue, Black and this novel. Blue and Black live alone in Brooklyn like Thoreau, however without deep emotion to the Nature and positive philosophical reflection caused by loneliness.

John Roebling and Washington Roebling (151 – 152)

Henry Ward Beecher (160)

Jackie Robinson – The first African-American major leaguer. Jackie Robinson is a symbol of a livid and energetic person who lived a real-life, was active in the real world and bravely struggled for absurdity and hardship. (161)

Out of the Past stars Robert Mitchum (162 – 163)

It’s a Wonderful Life (164)

Ghosts – The word ghost in this novel means traces or spirits of dead persons (176), a metaphor of men of emptiness such as writers (178), detectives and the state of today’s people spent a vacant life. Writers and detectives think out, makeup or trace others’ stories or plots, they don’t live a story of themselves.

Walt Whitman (174 – 176)

Henry Ward Beecher (176)

Take Hawthorne (177)

Writing (178)

Synopsis

A private detective, Blue took a riddle case by White. The request is to watch a mysterious man, Black. But, Black did not do anything. He just sat beside the window, write something, read Walden by Henry David Sorrow and took a brief stroll. To watch and to think about Black, Blue felt complex feelings mixed up friendship, calmness, worry and hostility, and a feeling to watch like a Doppelgänger. Blue searched Black by some measures, but the case didn’t make progress. About one year passed by, Black’s life didn’t vary. A summer day, Blue followed Black, Black took a seat at a lounge of a hotel, and Blue shared the table with Black. Then Black said “I’m a private detective. My current job is to watch someone. He doesn't do anything…"

Plot & Episodes

White requested Blue to follow and watch a man, Black.

Blue started stay an apartment in Brooklyn, and watched and followed Black.

Blue visited the Brooklyn Post Office to watch White. But White ran away, however he continued to sent checks.

Black’s unchangeable and sober routine continued almost one year.

Blue talked with Black at Algonquin Hotel, and disguised Jimmy Rose and talked with him at Orange Street, besides disguised a brush salesman and talked at Black’s room, then I realized White is Black, and this case was plotted by Black.

Bleu got into Black’s room, stole a pile of paper, and he knew it is his reports had sent for White.

Blue met Black in Black’s room and knew the truth of the case, beat him and robbed manuscripts Black wrote.

Blue read Black’s book, the book may be this novel or Blue’s story or biography. Then he got out his room and left New York, then he started his new life.

Impressive Scenes & Descriptions

p. 161

Blue visited Ebbets Field to see Jackie Robinson. This description is vivid.

pp. 170 – 173

Blue concerned about the case. This implies Paul Auster’s thinking about writing and novel.

pp. 173 – 179

Blue disguised Jimmy Rose and talked with Black. This conversation expresses the core of this novel.

pp. 180 – 184

Blue and Black talked at Algonquin Hotel. Black told he was watching a man and the man might write something about his life.

Summaries, Keywords & Comments

pp. 137 – 139

A mysterious man, White visited the office of Blue, and requested to follow and investigate a man named Black and to send weekly reports.

New York ; trail job ; weekly report ; art of disguise ; 3 February 1947 ; small grey satchel ; thirty-eight ; pair of binoculars ; notebook ; Walt Whitman ; Leaves of Grass ; Henry Ward Beecher ; red-brick church

pp. 139 – 142

Blue moved to the apartment across the street from black’s. Strangely, it’s fully equipped with furnitures, kitchen supplies and a complete set of clothes fits for Blue.

fully equipped ; a complete set of clothes

  • The apartment was strangely fully equipped make me think this novel is like a myth or a fairly tale.

He looked out and saw Black was sitting a table and writing something. Then Black paused and gazed out the window. Blue felt that Black was directly looking at him, and his state was a blank stare.

writing ; looking directly ; blank stare ; feels thwarted

pp. 142 – 144

Next morning, Black went to shopping at a small grocery store and backed his room. Blue tried to watch Black but he can’t watch well because of the snow. Blue thought about a article about an ex-autopsy Gold on True Detective. And he cut the picture of Gold and tracked it onto the wall above his bed.

snow ; white pavement ; shadow ; True Detective ; Gold

pp. 144 – 148

The first days, it went for. Nothing happend. Black wrote, read, ate, took brief strolls only. He seemed to notice Blue. Also Blue can’t watch Black around the clock, he have to sleep, eat and do laundry. Blue begun to feel an idleness and to watch Black is like looking into a mirror. Then Blue thought about wild fancies and made up stories that the incident between White and Black is extraordinary significant.

new idleness ; vague shadow ; speculatus ; mirror ; looking glass ; making up stories

  • To watch Black around the clock is impossible. So White’s request is impossible from the start.
  • Detective and police are professions make up a stories of an opponent or a suspect equal to a novelist.

pp. 148 – 150

The day came for Blue to write the first report send for white. He is very good at to write a report. But Blue couldn’t find things to write about the Black case, he managed to write the report.

report ; notebook ; veritable facts ; clues ; legwork ; investigative routine ; existence of the world

pp. 150 – 157

Spring had came, Black strolled larger area. When Black began to climb the staircase leads to the walkway across the Brooklyn Bridge, Blue thought Black leapt down, but he didn’t. Blue thought about John Roebling and Washington Roebling, the engineers built the Brooklyn Bridge, the father of Blue told him theirs episodes. And he thought about father, a cop passed away on duty by the Russo Case, and remembered a episode in Stranger Fiction, a son found his father frozen in a mountain.

  • This novel is also a story of episodes and citations.

Black strolled through Center Streent and Chinatown, then he entered a bookstore, and Blue watched Black. In the meantime, Blue found Walden and bought it. Then Black walked to the central area of Manhattan, and entered a restaurant. He met a girlfriend. Midway through the meal, Blue detected a great sadness of Black’s face and the woman was crying. She walked off to the ladies’ room, but she went back to the table looking a little-better. They got out from the restaurant. Black walked about, paused in front of a travel agency window and looked a poster of the White Mountains. Then he into a cab and returned his apartment. Blue followed him by a cab. Blue found the first cheque from White in his mailbox.

essential or contingent fact ; a poster of the White Mountains ; personal cheque from White ; no record of the payment

  • This scene is an omen to the breakup with future Mrs. Blue.

pp. 157 – 158

Again, Black’s almost same routine continued, nothing happened. Blue was conscious of an ambivalence, he felt a harmony with Black, also felt a loneliness shits him from to watch Black.

barest of routine ; ambivalence ; conflict ; harmony ; loneliness ; true ; false

pp. 158 – 160

Blue wrote a long letters to his ex-boss Brown to consult this case and his distress. Many weeks later, a long reply had arrived, but the content of it disappointed Blue, because it didn’t touch the case and Blue’s distress. Then he felt empty, despondency and self-pity.

empty ; self-pity ; I’m my own man

Blue called the future Mrs. Blue, but there was answer.

pp 160 – 162

Blue felt the paradox that the closer he felt Black, the less he didn’t have to think about Black ; the more deeply entangled he became, the freer he was. So Blue felt a triumph when he went out, and sometimes walked to a church and looked the bronze statue of Henry Ward Beecher then realized noble thoughts about the dignity of man.

paradox ; triumph ; bravery ; lovely spring weather ; bronze statue of Henry Ward Beecher ; Abraham Lincoln ; noble thought ; dignity of man

A fine Tuesday afternoon of May, Blue ventured to go to Ebbetts Field, to watch plays of Jackie Robinson

Jackie Robinson ; sharp clarity of the colours ; distinct from every other thing ; geometric simplicity of the pattern

  • Jackie Robinson is a symbol of livid and energetic person lived a real life and was active in the real world.

pp. 163 – 164

Blue often went to the movie. His favorite was a detective story, Out of the Past stars Robert Mitchum.

  • This vivid citation of the episode the movie implies Blue want to escape from his dull case and sober life.

For the next few days, Blue remembered a movie It’s a Wonderful World !. By the movie, he thought “once that happens, nothing can be done about it.” And, “something happens” “and then it goes on happening forever.” This warning or message, he couldn’t push away and this gloomy thought didn’t leave him.

Markham ; mark him

pp. 164 – 165

Blue tried to read Walden. But he couldn’t read it through, because to read it is a suffering for him, and he associated the hardship of Black’s case with this reading.

prisoner ; escape ; go off and live alone in the woods ; adventure novel ; Emerson ; beginning of the end

pp. 166 – 167

When Blue went to Manhattan following Black, he saw the future Mrs Blue and a man were walking with her arms liked through the arm of a man. Blue called and her, and she got angry and said “You! You!”, then she wept. He realized that he had thrown away his life (by the Black case).

truly the beginning of the end

  • This episode reflects and connects that Black failed in love.

p. 167

moves that can be made ; plans that can be set in motion ; obscure comment as a kind of test ; only the beginning

pp. 167 – 169

Two days later, early in the morning, Blue went to Brooklyn Post Office. He hid and waited for White would take the report by Blue. A man with a mask that children wear on Hallowe’en, made of rubber and portraying some hideous monster, and ordinary outfits, came and took the report. He noticed Blue was approaching, and run away by dash.

one though sand and one

pp. 169 – 170

Two days later, Blue received a cheque by mail from White. On it, White wrote “No more funny business”.

cracked White’s wall of silence ; each conundrum until the whole structure begins to weaken

p. 170

Following few weeks, Blue went to the post office, but White was not appeared, because the area is open twenty-four hours, so White could visit there at midnight or early morning.

pp. 170 – 173

Almost one year had passed, but the situation didn’t changed. Blue reflected the terribleness and the complexity of this case. He thought he was forced to follow Black’s story written by him. But it wasn’t interesting like Walden and Blue couldn’t concentrate it and couldn’t make or built story by Black’s separated fragments and randm data. Then Blue realized White may be a true “writer” of “this story”.

man in the middle ; “We are not where we are, but in a false position.” ; prisoner of the case itself ; the story ; so-called writer of this book ; clusters of random data ; dictionary in alphabetical order

  • This part is a confession of Auster's thought about literature and writing, and the impossibility and the doubt of writing a novel in the contemporary society.
  • By Auster’s thought, story is only built by others’ fragments and data for better or worse. And writer or novelist doesn’t live his own real life.

pp. 173 – 179

In a day of midsummer, Blue disguised an old beggar Jimmy Rose, sat down on the Orange Street and contacted to Black. Black sat down next to Jimmy Rose, and they intimately talked about Walt Whitman, Henry David Thoreau, Bronson Alcott and Take Hawthorme for a long time. And Black said his hobby to how American writers live, it helps him to understanding things and writing is a solitary business. So Black said "Another ghost”.

Walt Whitman ; every man has his double somewhere ; phrenology ; brain and skull ; scarecrow in the land of Oz ; who lived in alone in the woods ; Plymouth Church ; Henry Ward Beacher’s sermon ; Abraham Lincoln ; Charles Dickens; Ghosts ; Bronson Alcott ; Myrtle Avenue ; Take Hawthorme ; shut himself up in his room ; Wakefield

  • Ghosts are traces of dead persons and a metaphor of a writer who don’t live his own life.

pp. 179 – 180

Blue went back to his room and he concerned about why Black talked to Jimmy Rose friendly for a long time, after all, he realized Black knew who Blue is and everything.

talking in riddles ; loneliness ; solitude ; hermetic routine ; dilemma ; meagre hope ; Why do you lie ? ; shadow of doubt

pp. 180 – 184

The next night, Blue followed Black. Black got off Times Square, entered the Algonquin Hotel and sat down a corner nook of the lobby. The place is crowded so Blue asked to share the table with Black. They drunk liquor and made a small talk. Blue introduced himself as Snow, a life insurance salesman. Black said “I’m a private detective” all cool and collected, and his job was to watch a man who didn’t do anything, he just sat in his room all day and wrote, so the job is dull and he was losing his mind. Then Black said the man would write the story of himself, he needed Black to prove he’s alive, and a tear fell down.

Times Square ; Black and White on the rocks ; life experiences ; every job has its routines ; out of ordinary ; writing about himself ; story of his life ; nothing makes sense ; to prove he’s alive ; wait until the champagne is opened

pp. 184 – 185

Blue returned his apartment. He had broken through something, but he was disappointed by the fact he was a part of this case and Black’s problem is also his own problem. And, he assured White doesn’t exit, Black acted White. Blue lay down a bed and thought about colours and things has them.

poor soul ; its own colours

  • Colours are signifier and surfacial meaning of things and persons, implies today’s people and things has no soul and content.

pp. 185 – 188

Next morning, Blue disguised the Fuller brush salesman and visited the room of Black to look inside of it. The room is austere like monk’s cell and there are few furnitures. And Blue found some books, Walden, Leaves of Grass and Twice-Told Tales, and piles of written paper. Black said he is a writer and wrote a big book for many years.

picking the lock on the front door ; old thrill ; uncapped fountain pen ; even more austere ; monk’s cell ; several books ; Walden ; Leaves of Grass ; Twice-Told Tales ; piles of paper

pp. 188 – 190

Finally, Blue intruded Black’s room. But he blacked out and collapsing to the floor. He regained consciousness, then he rapidly gathered up a paper pile on Black’s desk, and he left Black’s room.

fresh torment of self-doubt ; pilgrim in the new world ; this will be a start

pp. 190 – 192

(…)

pp. 192 – 197

(…)

pp. 197 – 198

(…)

Remarks

  • This novel is a detective story without an incident and a mystery without a murder, and no significant incident occurred. Also, it’s a novel to find the incident and the enigma themselves.
  • To watch Black around the clock is impossible. So White’s request is impossible from the start.
  • Blue may be the subjectivity of the author, Black may be the objectivity of him. Or Black is Paul Auster himself as a writer, and Blue is Paul Auster reflect himself as an ordinary person.
  • This novel is also a story of many excellent, vivid and skillful citations and cited episodes. Citations are Blue’s aspiration in his head and his wish to escape from dull Black’s case and unexciting life. Also, the story is made up of parts and fragments, it's the thought for the literature of Paul Auster. By Auster’s thought, a story is only built by others’ fragments and data for better or worse. And writer or novelist doesn’t live his own real life.
  • Characters are named by colour. It has an effect the world of this novel appears monotonous, colourless and blur to a reader. Colours are signifiers or surficial meanings of things and persons, implies today’s people and things have no soul and content. The colours strengthen the world of this novel become monotonous.
  • The expression “in black and white” means “by the form of a printed text”. Blue is a middle content or an actor of this story, is operated by Black and White.
  • A pile of paper in Black’s room is Blue’s weekly reports. So the story of this novel is operated by Black. Blue was controlled by Black, also readers are controlled by him. And the story can’t be said as a proper story, it’s vain and nothing had happened.
  • In the end, Blue read Black’s manuscript and he knew it is his story, biography or this novel Ghosts itself of which readers read. This novel is the novel of a novel, and it implies the anxiety and the impossibility of writing.

Details of the Book

The New York Trilogy
Paul Auster
Faber & Faber, London, 2 Jun 2011
320 pages, £5.99
ISBN: 978-0571276554
Contents:

  • City of Glass
  • Ghorsts
  • The Locked Room

Related Posts and Pages

Synopsis & Book Review | Ghosts

Note | City of Glass

Synopsis & Book Review | City of Glass

Synopsis & Book Review | The Locked Room

Works of Paul Auster

Literature / littérature / Literatur Page

YouTube Paul Auster Commentary Playlist

YouTube Literature & Philosophy Channel

Books by Paul Auster (US)

eBooks by Paul Auster (US)

Audiobooks by Paul Auster (US)

Paul Auster Author Page (US)