Music Review | Solo Jazz Piano Albums from the 50’s to Today

Thelonious Monk

Thelonious Himself (Riverside, 1957)

“Thelonious Himself” is a solo Jazz piano album by the great and unique genius, Thelonious Monk. The mood of this album is beautiful also mysterious, graceful also funky. The touches are few and polished, it’s his characteristic.

“Round About Midnight”, his own composition, is a very impressive play and minimal, there are repetitions of the theme and phrases. It associates me a scene of “Colorless Tsukuru Tazaki and His Years of Pilgrimage” by Haruki Murakami, mysterious Jazz pianist Midorikawa played “Round About Midnight” in a junior high school music room on a mountain. His performance went straight to the heart of the piece and, has the power to physically and viscerally move the listeners. (pp. 63 – 66) I imagine the performance of Midorikawa like this recording.

A unique and highly evaluated solo Jazz piano master-piece.

Lennie Tristano

The New Tristano (Atlantic, 1961)

“Becoming” is a Blues taste improvisation with some technical approaches such as rhythm changes, left-hand pattern changes, and fine and minute right hand plays.

“C Minor Complex” is a high-tempo, Bleus taste improvisation with a left hand walking bass and super skilful right hand improvisations.

“You Don’t Know What Love Is” is a standard Ballad song with a passionate improvisation.

“Deliberation” is a usual Be-Bop improvisational song with a relaxing mood.

“Scenes and Variations” is a passionate improvisational three part suit with complex expansions and piano solos.

“G Minor Complex” is a Blues taste improvisational song with left hand walking bass. Right hand solo is glamorous, sharp and refreshing with his unexhausted ides.

A classical master-piece of solo Jazz piano with a pianist had a great genius of imaginary improvisation. I think Tristano is Charlie Parker of Jazz piano.

Bill Evans

Alone (Verve, 1970)

“Alone” is a solo piano album by Bill Evans, recorded in 1968. This is a usual type solo Jazz piano album adopts seven Jazz standard numbers. Almost songs are mid-tempo Jazz compositions, and Evans’ plays style is modal and elegant, and key touches are many. (So, sometime, I feel bore.) A beautiful, excellent and basic solo piano master-piece.

John Coates Jr.

Alone and Live at the Deer Head (Omnisound, 1977)

“Alone and Live at the Deer Head” is a solo live album by a incomparable and legendary pianist, John Coates Jr. (It’s said that young Keith Jarrett went to his lives frequently.)

“Prologue No. 39” is a Country taste refreshing song associates a summer morning.

“Never Have Known An Esther” is also a Country taste refreshing and not smoky song has a bit of sentimental mood.

“Sketch” is a contemporary and amusing song features a unique theme riff and there are skilful bass patterns and chord play.

“Mixed Feeling”, as the title, this song is a vague improvisational song with complex chord changes and difficult chords. So, listeners can’t grab and explain the substance of this song.

“Homage” is a sentimental mood song features the right hand improvisations like arpeggio.

“Something Kinds Silly” is a Ragtime taste funny song.

“The End of The Beginning” is a melancholic, apathetic also refreshing American Pop taste song.

This music is undoubtedly Jazz but it’s not usual Jazz. The no smoky and Blues taste, it’s very refreshing and bright. Coates’ recordings still sell and can be listened are few. But I can imagine his music in late-60’s and 70’s might be surprisingly new and progressive at that time.

I recommend this album she like George Winston and Pat Metheny.

Herbie Hancock

The Piano (Columbia, 1979)

“The Piano” might be the only solo piano album of Herbie Hancock. It consist of seven tracks. The former three tracks are Jazz standard numbers, later four tracks are Herbie’s original compositions.

“My Funny Valentine” and “On Green Dolphin Street” are played by his bold modal interpretations and skilful technics, and they have his unique mystic and wonderful mood.

“Some Day My Prince Will Come” is also a melancholic but funny interpretation with dynamic rhythem changes and poundings.

“Harvest Time” is a sophisticated bright also melancholic song.

“Sonrisa” is a mystic and passionate Ballad song with a complex improvisation.

“Manhattan Island” is an elegant and melancholic piano improvisational song.

“Blue Otani” is a unique and funky composition, but has a contemporary taste.

A good solo Jazz piano album. You can fully enjoy Hancock’s excellent modal interpretation and mystic play.

Mike Nock

Piano Solos (Timeless, 1980)

A New Age and contemporary tastes piano solo album. There are Fusion, Jazz, Country, Traditional tastes. And the music is similar to George Winston, but this is undoubtedly Jazz has improvisations.

“California Country” is very refreshing and gentle song associates a travel to a harbour town and a cool summer sea breeze.

Keith Jarrett

Paris Concert (ECM, 1988)

“Paris Concert” is the recording of a solo piano performance by Keith Jarrett in Paris, 1988.

“October 17, 1988”, the title is the day of the performance and the recording of this album. This track is over 38 minutes length. In the beginning, to around 6:00, Jarrett plays Bach and his fugue like melodies with Jazz improvisation. From 6:00, the play become left hand chord backing with Classicism melodies associates Beethoven or Brahms. From 11:00, his play gradually become abstract and hard. At around 17:00 the taste changes contemporary and melancholic Ballad. From 20:00, his play become a Traditional and Romantic taste elegy associates Schumann or Chopin, by few touches. From 23:00, the play gradually become hard, abstract and free improvisation by his virtuoso techniques. I felt his passion and anger by this part. Around 29:00, the play become more and more abstract. Jarrett plays very fine, aggressive and wide range arpeggios like a huge cascade. From around 33:00, the mood become refreshing and gentle. He plays fine left hand arpeggios and right hand sophisticated melodies and phrases. In the end the song become slow with a calm also solitary mood by few touches, and closes the performance.

“The Wind” is contemporary also nostalgic New Age taste song.

“Blues”, as the title, is improvisational and abstract Blues improvisation that is played by Jarrett’s ultra imagination and techniques.

You would find Jarrett’s style or this performance is influenced by Jazz, Classical Music, Traditional, Blues and New Age, and his great total musical genius, vast imagination and super virtuoso techniques.

The Melody at Night, With You (ECM, 1999)

“The Melody at Night, With You” is the rare and only standard solo piano album by Keith Jarrett. In 1998, the time Jarrett had been suffered chronique fatigue syndrome (CFS), he recorded this solo piano album his home studio in New Jersey. This album adopts standard numbers including George Gershwin, Duke Ellington, Oscar Hammerstein II and so on. There’s a gentle, calm, delicate and sophisticated atmosphere, not eccentric and avant-garde. Also there’s New Age and Country Music mood like George Winston or Ludovico Einaudi.

It’s a very very sweet and precious album.

Dave Brubeck

Just You, Just Me (Telarc, 1994)

“Just You, Just Me” is the first piano solo album by Dave Brubeck since “Plays and Plays and….” had released in 1957. There’s the 37 years gap.

The plays by the East Coast and Cool Jazz are beautiful and sophisticated also stable and standard. A usual good solo piano album. But “Strange Meadowlark”, Brubeck’s composition in his quartet master-piece “Time Out”, is a funny and elegant, very good song.

Hiromi

Place to Be (Telarc Jazz, 2009)

A solo Jazz piano album by the Japanese super strange genius girl released in 2009.

The first track, “BQE” is a high tempo improvisational song. It begins a serious contemporary mood with hyper skilful arpeggio, in some parts the song expands a gentle and nostalgic mood.

“Choux à la Crème” is a Ragtime and Boogie-woogie based funny and funky song by her ultra imaginative and technical play.

“Berne, Baby, Berne!” is a melancholic and aggressive Bohemian taste song features the impressive theme and riffs. Her play is incredibly passionate, complex and super.

“Cape Cod Chips” is a song has a serious Blues taste but funny.

“Island Azores” is an American or Californian taste refreshing and bright song with piano body tappings.

“Viva! Vegas” is an amusing, strange and sunny three part suit. The part three “The Gambler” is a refreshing and aggressive song by Hiromi’s ultra passionate and imaginative play. The song and improvisation expands freely and boundlessly beyond our imaginations.

“Place to Be” IS A lyrical, solitary and tender Jazz Ballad song has the New Age taste.

To listen to this album, you can dive into her passion, miracle piano genius and, imaginative and boundless music. Also I confirm the her talent of composition can write excellent songs in various styles. She must be today’s Thelonious Monk, Lennie Tristano and Keith Jarrett.

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Timeline of Herbie Hancock

1940 On April 12, Herbert Jeffrey Hancock born in wealthy family, Illinois, Chicago, United States. His father was a government inspector and music lover, his mother played piano, his older brother and sister played music.

1947 – Herbie began classical piano lesson.

1950 – Proceed the advanced course and learned writing and read score by Mr. Jordan.

1951 – Co-stared with the Chicago Symphony Orchestra. (first movement of Mozart’s Piano Concerto No.26 in D Major)

1960 – Left Grinnell College, he studied electrical engineering.

Backed to Chicago and began working with Donald Byrd and Coleman Hawkins.

1961 – On January, moved to New York, was called by Donald Byrd.

1962 – ‘Takin’ Off’, Hancock’s first leader album, includes ‘Watermelon Man’. (Hard Bop, Funky Jazz)

1963 – Provide ‘Watermelon Man’ to Mongo Santamaria, was hit.

1964 – Acquaintance with Miles Davis and he force Hancock to have an audition. Participated in Miles Davis’s ‘second great quintet’ with Wayne Shorter, Ron Carter and Tony Williams.

‘Empyrean Isles’ includes ‘Cantaloupe Island’ (Hard Bop, Soul Jazz, New Mainstream)

Sideman of ‘Speak No Evil’ by Wayne Shorter. (New Mainstream)

1965 – ‘Maiden Voyage’ Adopted expanded the mode approach with member of Miles Davis Quintet and Freddie Hubbard. A representative work of New Mainstream Jazz and Herbie Hancock. (New Mainstream)

1966 – ‘Blow-Up’ (Soundtrack)

1967 – ‘Miles Smiles’ by Miles Davis, the musical style declared in this album would be called ‘New Mainstream Jazz’ or ‘Modern Mainstream’. (New Mainstream)

1968 – ‘Speak Like a Child’ Adopted a not common sextet (alto flute, flugelhorn, bass trombone and rhythm section) and treat the horn section as a accompaniment part. (Hard Bop, Post-Bop)

‘Miles in the Sky’ by Miles Davis, in this album Miles force Hancock to play a electric piano. (Post-Bop, Electric Jazz)

Hancock left the Miles Davis’s band.

1969 – ‘Prisoner’ Use uncommon horn sections on the extension of ‘Speak Like a Child’ and practice of electronic piano. (Post-Bop, Electric Jazz, Fusion)

1973 – ‘Head Hunters’, Masterpiece and big hit of Jazz Funk. Boldly adopted Funk sound of James Brown, Sly & the Family Stone and Earth, Wind & Fire. Employ Funk musicians and some of synthesizers. Then Hancock created the music fusion groove of Funk and improvisations of Jazz. (Jazz Funk, Fusion)

1975 – Sideman of ‘Jaco Pastorius’ by Jaco Pastorius. (Fusion)

1976 – ‘VSOP’ A live album of the summing up of the career of Hancock. The VSOP Quintet was supposed to be a special band (but the quintet continued the activity). The member of the VSOP Quintet are Miles Davis quintet without Miles and Freddie Hubbard. This quintet played the music like a revival of New Mainstream Jazz. The second of the records recorded sextet (in ‘Speak Like a Child’) and Jazz Funk aspects of Hancock. Especially cutting guitar plays by Ray Parker Jr. and Wah Wah Watson in ’Hang Up Your Hang Ups’ would be called the ’bible of funk guitar (or cutting guitar)’.

1977 – ‘Herbie Hancock Trio’ Revival of authentic Jazz.

1978 – Sideman of ‘Mingus’ by Joni Mitchell (Folk Jazz, Vocal Jazz)

1982 – ‘Quartet’ Featured an up-and-coming trumpeter Wynton Marsalis. Some of songs of the album were from repertoire of Miles’s the ‘second great quintet’ and the VSOP. (Resurgence of Traditionalism, New Mainstream)

1983 – ‘Future Shock’ was produced by Bill Laswell, and adopted Hip Hop sound and scratching by Grand Mixer DXT. The song of the album ‘Rockit’ made a big hit in worldwide. (Electro Funk, Instrumental Hip Hop)

1986 – ‘Round Midnight’ A soundtrack of Jazz movie. (Soundtrack)

1994 – ‘Dis is da Drum’ A reaction to Acid Jazz by Hancock. (Fusion, Jazz Funk, Instrumental Hip Hop)

1998 – ‘Gershwin’s World’ Featured the songs of George Gershwin. (Traditional Jazz, Orchestra Jazz)

2001 – ‘Future2Future’ Featured Bill Laswell, Carl Craig (Detroit Techno producer and DJ), A Guy Called Gerald (Drum ’n’ Bass and Techno producer), Rob Swift (Hip Hop DJ and turntablist) and Chaka Khan (Soul singer). (Fusion, Electronica)

2007 – ‘River: The Joni Letter’ A tribute album of songs written by Joni Mitchell. Guet vocalists include Lenard Cohen, Tina Turner, Norah Jones and Joni Mitchell. (Vocal Jazz, Folk Jazz, Pops)

References

‘Standard Text of Herbie Hancock’ Jazz Critic Editors, Matsuzaka, 2002

‘Herbie Hancock: Possibilities’ by Herbie Hancock and Lisa Dickey, Viking, 2014

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Timeline of Miles Davis

1926 – May 26 Miles Dewey Davis Ⅲ was born in Alton, Illinois, to an African American affluent family. His father was a dentist. His mother was a music lover.

1935 – Got first his trumpet sent by father’s friend.

1939 – His father was present a new trumpet to Miles.

1943 – Began playing professionally at the Elks Club.

1944 – The Billy Eckstine Band visited St. Louis. The members of the band included Dizzy Gillespie and Charlie Parker.

Moved to New York City to study music at the Juilliard School. Got acquainted with Charlie Parker.

1945 – Participated the Charlie Parker Quintet as replacement of Dizzy Gillespie.

‘First Miles’, First Recording on a member of Herbie Fields Sextet.

1947 – First leader recording.

1948 – Miles Davis Nonet, includes J. J. Johnson, Lee Konitz, Gerry Mulligan and Gil Evans, performed at the Royal Roost. (Cool Jazz)

1949 – ‘Birth of the Cool’

First european tour with Tadd Dameron.

1950 – Played together with Art Blakey, witch led Hard Bop style.

1951 – ‘Dig’ with Sonny Rollins and Art Blakey.

1953 – Returned to St. Louis to recover from drug intoxication.

1954 – Came back to New York Jazz scene.

‘Walkin’’ A Peak of Hard Bop style.

‘Bags’ Groove’ with Thelonious Monk and Milt Jackson.

1955 – Formed ‘visionary quintet’ with Sonny Rollins, Red Garland, Paul Chambers and Philly Joe Jones.

Formed ‘first great quintet’ added John Coltrane.

1956 – ‘Marathon Session’ Recording of the ‘Hard Bop bible’: ‘Cookin’, ‘Relaxin’, ‘Workin’ and ‘Steamin’.

Major debut by ‘Round About Midnight’, Columbia Records.

1957 – Discharged John Coltrane and Philly Joe Jones, because of their drug intoxication and the limit of quintet Jazz style.

‘Miles Ahead’ with Gil Evans Orchestra.

1958 – Adopted Modal Jazz, and released ‘Milestones’.

Bill Evans joined Miles’s Sextet.

Cannonball Adderley ‘Somethin’ Else’ Virtually leader album of Miles.

1959 – ‘Kind of Blue’ It was the proclamation and completion of Modal Jazz.

1960 – Miles Davis (with Gil Evans) ’Sketches of Spain’

1964 – Formed the ‘second great quintet’, the members of which are Herbie Hancock, Wayne Shorter, Ron Carter and Tony Williams.

1965 – ‘E.S.P.’ A sprout of New Mainstream.

1967 – ‘Miles Smiles’ A masterpiece of New Mainstream.

1968 – Adopted electronic sounds and rhythm of Rock music on his album ‘Miles in the Sky’. In this album Miles made Herbie Hancock play a electronic piano, George Benson play a electric guitar.

1969 – ‘In a Silent Way’ The title track was composed by Joe Zawinul.

1970 – ‘Bitches Brew’, Adopted Rock and Electronic sound earnestly.

1972 – ‘On the Corner’ Adopted Funk sound and folk instruments.

1975 – Stopped his activity.

1981 – Came back music scene. Collaborated with Marcus Miller, Bill Evans (saxophonist) and heavy guitar sound of Mike Stern, and released a live album ‘We Want Miles’.

1985 – ‘Your Under Arrest’ Adopted Pop arrangement and features two pop songs: ‘Time After Time’ by Cyndi Lauper and ‘Human Nature’ by Michael Jackson.

1986 – Miles Davis ‘Tutu’ produced by Marcus Miller and Tommy LiPuma. This album featured Marcus Miller as producer and multi-player. It was like duet of Miles and Miller.

1991 – Died on September 28 by the combined effect of a pneumonia and stroke.

1992 – ‘Doo-Bop’ featured Hip Hop and rap.

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