Music Review | Joe Hisaishi Solo Albums

Minima_Rhythm (Universal Sigma, 2009)

“Minima_Rhythm” by Joe Hisaishi is an orchestral Minimal Music album released in 2009.

Hisaishi, from student days and in the early career he interested in and was influenced by Minimal Music, and adopted and released some Minimal Music works in his early era. This album is revival and renewal of his endeavour to Minimal Music.

“Links” is a bright Minimal Music orchestral song. Repetitions of some phrases and their overlaps make use of tone of various instruments, the huge space reflection, the board and complex echo of the orchestra.

“Sinfonia For Chamber Orchestra” is three part Minimal Music suit for chamber orchestra. Bright, brave and dynamic Minimal Music make use of fine phrases of strings and, wind and brass instruments and their call and response and ensemble plays.

“MKWAJU 1981-2009” is a renewal of an early works of Hisaishi. The formation is the orchestra features marimbas. The composition and arrangement resembles Steve Reich, but this song is more bright, dynamic, sophisticated and complex.

“The End of the World” is a Contemporary and Minimal grand symphony.

“DA・MA・SHI・E” is a bright mood Minimal orchestra song associates “In C” by Terry Riley and there is backing of marimbas like Steve Reich. Each repetitions of phrases crosses complexly constantly changing, so listeners can’t grasp the true shape of the song.

This album is deeply influenced by Minimal Music of Steve Reich, Terry Riley and Philip Glass, but the compositions, orchestra arrangements and recordings are more bright, clear, contemporary and sophisticated.

Minima_Rhythm II (A&M, 2015)

Minima_Rhythm II is the second release of the Minima_Rhythm project by Joe Hisaishi.

“Inori No Uta for Piano” (Song for Prayer) is Erik Satie taste minimal and apathetic piano solo piece without particular melody.

“Shaking Anxiety And Dreamy Globe For 2 Marimbas” is like Steve Reich’s iconic style marimba arpeggio ensemble song. But sometime rhythm changes and they play dynamic.

“Single Track Music 1 For 4 Saxophones And Percussion” features saxophones play minimal phrases. Percussions and vibraphone play accompaniment.

“Wave” is a refreshing and New Wave taste minimal piano solo piece.

“String Quartet No.1” is stateless and contemporary taste and various mood minimal string quartet suit. “I. Encounter” is minimal also amusing and dynamic movement. “II. Phosphorescent Sea” is a Classical and Avantgarde melancholic movement like Schöneberg and Berg. “III. Metamorphosis” is more pathetic and tragic movement like the Second Viennese School. “IV. Other World” is Steve Reich and cinematic taste, also brave and heroic composition made by minimal phrase repetitions of each part, and their parts crosses and emerge complex sound patterns.

Resources and Links

Joe Hisaishi (official site)

Universal Music Japan – Joe Hisaishi

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Wikipedia (EN)

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Music Review | Works of Philip Glass

Glassworks (Sony Classical, 1982)

“Glassworks” by Philip Glass is the representative composition and release of Glass and one of masterpiece of Minimal Music. A six parts suit and each part is consist of different formations.

“I. Opening” is sorrowful and apathetic minimal piano solo piece, adopts repetitions of arpeggio phrases and their development.

“II. Floe” is very minimal song by repetitions of each phrases by each instrument of the ensemble (2 flutes, 2 soprano saxophones, 2 tenor saxophones, 2 horns and synthesizer). The simply play with syncing by all instruments, but it appears swinging and modulated sound patterns.

“III. Island” is a slow calm and melancholic song by brasses and wind instruments. Each instrument play minimal phrases and tones, make a sound structure.

“IV. Rubric” is the dynamic variation of Part II. Electric bass added, and the tempo is higher (around 125) and each play more dynamic and there many chord changes and key changes. Very refreshing and Rock taste Minimal Music.

“V. Façades” Glass’s iconic taste melancholic and Classical and Minimal Music composition. It begins with minimal arpeggio phrases by cello and viola. Soprano saxophone solo follows. Then the soprano saxophone and another one play riffs and play solos.

“VI. Closing” is the variation of “Part I” played by piano, strings and wind instruments.

There are full of Glass’s Minimal and Classical taste and simple and easy to understand Minimal Music, and it’s Pop-Avantgarde Music for wide range of music lovers.

Solo Piano (CBS, 1989)

“Solo Piano” by Philip Glass is the first piano solo album of him and composed and played by himself.

“Metamorphoses” is the 5 song piano solo suit is inspired by Franz Kafka’s same title novel.

“Part 1” is left hand simple arpeggio based very minimal and melancholic song. Right hand touches are few and play fragmental notes and chord backings only.

“Part 2” is a sorrowful and sentimental song. It’s consist of left hand arpeggios and right hand melodies. But I get the feel of a little hope by upward melodies.

“Part 3” is very minimal left hand arpeggio and right hand chord backing plain song. It progresses the same pattern, and chord and key changes.

“Part 4” is a wonderful and mystic mood composition. Also it’s consist of left hand arpeggio and right hand chord backing.

“Part 5” is the variation of “Part 1” of little different arrangement.

This suit is a standard and representative work of Philip Glass and Minimal Music.

“Mad Rush” is a very minimal song, is consist of only both hand arpeggios. The touches of piano become stranger and weaker then it changes the notes of arpeggios. There’s Romantic Music taste but piano plays only arpeggios.

“Wichita Vortex Sutra” is bright and brave song is only left hand, right hand or both hands arpeggios and chord backings.

Resources and Links

Philip Glass (official site)

Philip Glass Ensemble (official site)

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English National Opera

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Music Review | Works of Steve Reich

Octet ; Music for a Large Ensemble ; Violin Phase (ECM, 1980)

The album “Octet ; Music for a Large Ensemble ; Violin Phase” is the one of representative releases of Steve Reich.

“Music for a Large Ensemble” is over fifteen minutes composition and the tempo is around 95 to 100. The ensemble is consist of 4 Pianos, 2 marimbas, vibraphone, xylophone, 2 xylophones, 2 violins, 2 cellos, 2 clarinets, 2 soprano saxophones and 4 trumpets.

Pianos, marimbas, vibraphone, xylophones and flutes plays fine basic phrase repetitions like arpeggio. Trumpet and saxophone ensemble long tone chorus accompaniment. Some piano, a flute, a clarinet and a xylophone and a violin play different phrase repetitions over them. Then another instruments plays another phrase receptions… like that the song progresses.

There are the iconic and original style and mood, way of composition and phrases of Steve Reich.

“Violin Phase” is a famous work of Reich, adopted unique method of composition. Two tapes recorded 2 bars same phrases played by a violin, and they play sightly different speed, and it appears various and changing patterns of sound.

“Octet” (later renamed “Eight Lines”) is around 110 to 115 high tempo and over seventeen minutes composition is consist of string ensemble, 2 pianos, 2 wind instruments (flute, piccolo, clarinet and bass clarinet). It begins with a theme phrase repetition by entire ensemble. Pianos plays backing arpeggios. String ensemble plays fine arpeggios or phrases, long tones, sometime play lead phrases. Wind instruments players play lead phrases and long tones with changing instruments. In the end, ensemble gradually shifts to the theme phrases and suddenly cut out.

This album is an excellent work of Minimal Music and Reich and straightforward method and taste of Reich. So I recommend this to all people who interested in Reich and Minimal Music.

Drumming (Elektra, 1988)

“Drumming” by Steve Reich is the 4 parts Minimal Music suit features percussion instruments.

“Part 1” is a song for bongo beats repetitions. Eight bongos played by four players in different phrases, and basically beats are sync, and sometime change phrases, beats and sync points, so it appears various patterns.

“Part 2” features marimba. Three players play Reich’s iconic minimal phrases and they sync, then each player changes the phrases and shift beats of sync points and the song progresses. From around 7:00 plays become more dynamic and female humming chorus follow.

“Part 3” features glockenspiel. Various phrases consist of 3 glockenspiels change, shift and, appear and disappear so sound pattern you hear, changes. And piccolo and chorus follow.

“Part 4” is the mixture and ensemble of Part 1 to 3. It begins with bongos, marimbas and glockenspiels play slow the phrases appeared in each part. Then they gradually speed up and become harder.

A unique, interesting and nice Minimal Music. I can recommend this album for beggars to Minimal Music.

Resources and Links

Home – Steve Reich Composer

ECM Records – Steve Reich

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BOOSEY & HAWKS – Steve Reich

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Brian Eno Ambient Works

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