Synopsis & Review | City of Glass from the New York Trilogy by Paul Auster, 1985

Summary Synopsis

The trigger was a wrong number. A mystery writer in NY, Daniel Quinn accepted the case of Peter Stillman, as a private detective Paul Auster. Virginia Stillman, the wife of Peter Stillman, requested him to watch the same name father, Peter Stillman would discharge soon, the former professor of Columbia University wrote a book of extraordinary and occultist religious theory. He shut up his son in a room for nine years.

Quinn watched Stillman during two weeks, but he was wandering around a constant area of town only. Quinn tried to talk to Stillman but his talkings were incoherent. A day, Stillman suddenly checked out of the hotel he stayed, so Quinn lost track of Stillman…

Book Review

City of Glass is Paul Auster’s major debut novel originally published in 1985 and the first volume of his New York Trilogy.

A thirteen chaptered novel borrows the style of detective stories. And a snobbish postmodernist or avant-garde literature contains various elements and signs, many fine little interesting episodes and mentions of classical literature. It describes confusion, complexity, difficulties and emptiness of the contemporary huge metropolitan city, New York, and deconstructs the grand narrative, the significance and the form of traditional novels.

My first impression, I think this novel resembles Auster’s next novel Ghosts which also borrows the form of detective stories. Both of them is the story the main character was perplexed, confused and manipulated by a mysterious and confused person(s), and the storyline and elements are resemble.

Almost works by Paul Auster and contemporary novelists have a structure as to seek a riddle or something, and to try to solve questions and riddles. Auster indicated the structure itself on this novel in a symbolic form.

In some parts, Auster indicates his literary thought and philosophy of writing. For him the ideal form of novel is practical detective stories has full of meaning and no vainness. And Quinn was interested in the relation among stories and their combinations. And words are has no fixed meanings. Words and stories should be made by people’s activities as writing. But Stillman Sr. denied the thought of contemporary language theory, he think it was the fall. On this novel Quinn gathered fragments of things, wrote a red notebook and resulted in construct a his story. I think the Auster’s thought of writing is like behalf of Wittgenstein’s language game and Sartre’s existentialism, also it includes the postmodernist theory of deconstruction. It is an active and pragmatic policy of writing put emphasis on physicality, reality and  contingency or randomness.

This novel is an excellent story of stories and writings. The stories in this story splendidly consists this story. And this novels is a self-reference novel. Quinn, a writer “Paul Auster” and the narrator are writers, the characters may reflect Paul Auster himself, and the notion what are writing, story and words is an important element in this novel.

And I think an outstanding characteristics of Paul Auster’s novels is there were many or some impressive, colourful and vivid scenes and interesting, intellectual and integral descriptions and little fine and funny episodes such as the notion about New York, mystery novels and detective, the description when Quinn bought a red notebook, the summary of The Garden and the Tower: Early Visions of New World by Peter Stillman, the portrayals of Grand Central Terminal and a writer, Paul Auster’s talking his essay on Don Quixote. They calls a harmony and an elaborated image like music, especially like a symphony or a concerto.

This novel is not an armchair story, is a story in the city and in motion or moving. I think Auster’s policy of writing a novel is novels should be written in motion or moving and in the city. The main characters of Auster’s novels moved, fought with difficulty, struggled in the real world or a restricted situation, and the stories progress. So it’s Auster’s practice of language game which was mentioned by Wittgenstein. Also in Auster’s novels, characters play their own language games construct words and stories.

And a sub theme of this novel is a struggle of the view to words and language between Quinn and Stillman Sr.. The former is a contemporary practical language theory like Wittgenstein’s language game or the Saussurean semiology. The latter is like the classical historical language study pursues Proto-Indo-European such as Wilhelm von Humboldt and Jacob Grimm.

But Quinn was defeated in the struggle and couldn’t solve the question and find the answer. Readers thought about and experienced the story with Quinn. But the the questions and the riddles were not solved, so this novel involuntary asked the readers about the problem of contemporary people’s emptiness and confusion. And this novel has no conclusion and answer of the question. Many riddles and questions remain. So I think no conclusion is the answer or conclusion.

Details of the Book

The New York Trilogy
Paul Auster
Faber & Faber, London, 2 Jun 2011
320 pages, £5.99
ISBN: 978-0571276554
Contents:

  • City of Glass
  • Ghosts
  • The Locked Room

Related Posts and Pages

Note | City of Glass

Synopsis & Book Review | Ghosts

Note | Ghosts

Synopsis & Book Review | The Locked Room

Works of Paul Auster

Literature / littérature Page

YouTube Paul Auster Commentary Playlist

YouTube Literature & Philosophy Channel

Best Classical Recordings
Playlist
on YouTube

Best Classical Recordings
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on Spotify

Jean-Michel Serres Apfel Café Music QR Codes Center English 2024.

Note | City of Glass from the New York Trilogy by Paul Auster, 1985

Information of the Book

Paul Auster’s first (or second) long novel and his major debut novel originally published in 1985. And the first volume of the New York Trilogy.

Form, Style & Structure

A thirteen chaptered novel borrows the form of detective stories. And a snobbish postmodernist or avant-garde literature contains various elements and signs, many fine little episodes and mentions of classical literature, describes confusion, complexity, difficulties and emptiness of the contemporary huge metropolitan city, New York, and deconstructs the grand narrative, the significance and the form of traditional novels.

Characters

Daniel Quinn – The main character of this story and a novelist wrote mystery novels as the alias of William Wilson. Thirty-five years old man lost his son and wife, lived alone in a small apartment in the 107th Street, New York. Once, he had been written enthusiastically poetries, plays and critical essays, but he abandoned to write them five years before.

A detective, Paul Auster – A private detective in New York.

Virginia Stillman – A client of Daniel Quinn as Paul Auster. Peter Stillman Jr.’s wife around Thirty-five woman was a speech therapist of Peter Stillman Jr. for five years. Somehow, she passionately kissed Quinn.

Peter Stillman (junior) (2) – A mysterious and confused or crazy young man from old Boston, dressed entirely white with white-blond hair and had pale skin. He said his real name is Mr Sad, Peter Rabbit, Mr White and Mr Green. He inherited his father’s large amount of property. He was shut by a room nine years in his childhood by his father.

Peter Stillman (senior) (2, 3, 7, 8, 9) – His name is also Perter Stillman, same as his son. He was from good Boston Stillman family. He went to Harvard, studied philosophy and religion, and wrote a thesis on sixteenth- and seventeenth- century theological interpretations of the New World, then worked in the religion department at the Columbia University. Because of his wife passed away, and he left Columbia, shut himself in his house, and concentrated on and seriously believe his extraordinary religious theory and investigated God’s language. The time Quinn watched him, he was a tall, thin, past sixty old man with uncombed white hair wore a long brown overcoat and had a battered leather suitcase. (p. 55)

Mrs Saavedra (3)

Miss Barber (3) – The nurse of Peter Stillman (son).

Micheal Servedra (3) – A former policeman who knew Paul Auster was a good detective.

Henry Dark – An imaginary clergyman in Boston. He was a secretary of Milton, then emigrated the New World and published a pamphlet The New Babel which justified the conquest of the New World by his philosophical idea and thought of language. He argued that if man could restore the original language of innocence, man would obtain the New World as the new Eden. (6, pp. 45 – 49) Peter Stillman Sr. said Henry Dark is a fictional man in his book. (9, p. 80)

A writer, Paul Auster (10, 12, 13) – A tall, dark hair and mid-thirties writer lived in a well kept apartment near the place Quinn lived, was writing an essay about Don Quixote. He was friendly and cooperative to Quinn, but Quinn was envious of him that he had things Quinn had lost such as wife, son, intellectual writing and well-off life.

wife of a writer, Paul Auster (10)

son of a writer, Paul Auster (10)

a girl wore a white nurse’s uniform (12) – The new resident of Quinn’s room.

the narrator (13) – A friend of a writer, Paul Auster. He kept the red notebook of Quinn, read it and write this story.

Locations

New York – An inexhaustible, a labyrinth of endless steps. The city left Quinn with the feeling of being lost in the city, but lost within himself as well. It was the nowhere Quinn had built around himself, and he realized he had no intention of ever leaving it again. (1, pp. 3 – 4)

Places

Stillman Jr.’s apartment (2, 3) – It had five or six rooms, was richly furnished. (2, p. 14)

The Heights Luncheonette (5)

Columbia University library (6)

Grand Central Terminal (7)

The Hotel Harmony (7, 9) – A cheap and shabby hotel in the 99th Street, Stillman Sr. stayed.

Key Elements, Key Words & Key Phrases

motion (1, p. 4) – This novel is not an armchair story, is a story in the city and in motion or moving. Quinn experienced and made a story in while he moving.

mystery novels (detective stories ,1, pp. 7 – 8) – A reasonable solution to live for Quinn who want to write fine literature. Quinn was fond of mystery novels, because he was interested in “not their relation to the world but their relation to other stories” (1, p. 7) and the form of mystery novels. These books was sense of plenitude, and the world of book has possibilities and praised secrets and contradiction of them. And, in the world all of descriptions and words is meaningful. This description signifies the postmodernist literary thought of Paul Auster. At first, this novel and Ghosts were read as a mystery novel by readers and mystery fans.

detective (1, p. 8) – The detective for Quinn is the person who looks, listens and move through morass of objects, then pull all these things together and make sense of them. The detective is equal to the writer, carry a meaning other than the simple fact of their being itself. The word “private eye” for Quinn has triple meanings. The latter two are i is an initial letter of “investigator”, also I as a first person singular. The similar notion exists in Auster’s next novel Ghosts.

God’s language (2, pp. 20 – 22)

cheque (3, 10, 12) – A five hundred dollar cheque for Paul Auster, Virginia Stillman gave it to Quinn. Quinn hand it over a writer Paul Auster. Auster tried to convert but it was the cheque bounced.

a red notebook – Quinn picked a good spiral and standard eight and a half by eleven red notebook with narrow lines and one hundred pages in the impressive pile of new notebooks, a beautiful array of blues, greens, reds and yellows. He bought one, it seemed to call out him as it had a destiny hold the words came from his pen. (4, pp. 38 – 39) To write informations, observations and questions about Stillman Sr. in a notebook, made a story, meaning(s) or a consistency, and Quinn could control the task. This novel is the writings by Quinn on this notebook and the narrator organized and narrates them.

to wear other people’s clothes (5, p. 40)

to remember who I am (5, p. 40)

The Garden and the Tower: Early Visions of New World (6) – A imaginary book was written by Peter Stillman Sr., two parts book the former is titled “Myth of Paradise” and the latter is “the Myth of Babel”. The content is an extraordinary, occultist, audacious, deranged and confused theory about the Book of Genesis, the origin of language, the Tower of Babel, the New World and the life of Henry Dark, which justified the foundation of the USA.

to invent language (6, p. 43) – The only work of Adam in the Paradise is to invent language. At the time, names and things coincided completely. After the lost of paradise and the fall of men, names became detached from things and words separated into a collection of arbitrary and artificial signs. I think the language theory by Stillman Sr. and its view is contrary to Saussure’s semiology and Wittgenstein’s language game.

Suicide Squeeze by William Wilson (7, pp. 53 – 54) – The book was written by Quinn himself.

inventing a new language by Stillman Sr. (9, pp. 76 – 78) – It seems to be alike the classical historical linguistic theory to find one ideal language or the thought of Esperanto language.

give them names (9, p. 78)

the Tree of Life (9, p. 86)

yoyo (10, pp 101 – 103)

Cultural Things on This Novel

Marco Polo’s Travels (1, p. 6, 9) – It implies writing should be do in an adventure and the real world, and this novel may be a fantasy.

Haydn’s opera The Man in the Moon (1, p. 10)

Vermeer’s Soldier and Young Girl Smiling (2, p. 12)

The wild boy of Aveyron (4, p. 33)

Montaigne (4, p. 33 ; 6 p. 41)

New York Mets (5, pp. 37 – 38)

Dupin ; Poe (5, p. 40)

Thomas More (6, p. 42)

"noble savage” of Rousseau and Locke (6, p. 42)

Paradise Lost and the Areopagitica by Milton (6, p. 42)

Melville Moby Dick (7, p. 51)

A. Gordon Pym by Edger Allan Poe (8, p. 70)

Henry David Thoreau (9, p. 80)

Heraclitus & Democritus (9, p. 80)

Humpty Dumpty (9, p. 81)

Through the Looking Glass by Lewis Carroll (9, p. 81)

Columbus’s egg (9, p. 82)

Edgar Allan Poe (9, p. 83)

Don Quixote by Cervantes (10, pp. 97 – 100) A writer, Auster as wrote an essay about Don Quixote. The theme is “the authorship of the book” and “Who wrote it, how is was written.”, because Cervantes made effort to readers think he wasn’t the author. (10, pp. 97) Auster’s inference is the author(s) is the combination of four characters, and the work is an experiment by Don Quixote tested gullibility of people, also he wasn’t madman and conducted all from behind. (10, pp. 99 – 100)

Baudelaire (11, p. 110)

Riddles & Questions

Quinn was deceived by the Stillman family, Miss Barber and Micheal Servedra ? – An essay on Don Quixote by a writer, Auster suggests that Stillman Sr. might act as a madman and they tested Quinn. But the riddle can’t be solved.

Why Quinn was vanished ? – He was involved in complexity and enigma of New York and others’ stories, got mentally and physically sick and lost his existence and reality, so he left from New York and disappeared.

Thought & Philosophy

In some parts, Auster indicates his literary thought and philosophy of writing. For him the ideal form of novel is practical detective stories has full of meaning and no vainness. And Quinn was interested in the relation among stories and their combinations. (1) And words are has no fixed meanings (6, Stillman Sr. denied the state of language now, he think it was the fall.), words and stories should be made by people’s activities as writing. On this novel Quinn gathered fragments of things, wrote a red notebook and resulted in construct a his story. (5, 11, 12) I think the Auster’s thought of writing is like behalf of Wittgenstein’s language game and Sartre’s existentialism, also includes the postmodernist theory of deconstruction. It is an active and pragmatic policy of writing put emphasis on physicality, reality and  contingency or randomness. The policy resembles the descriptions about an imaginary writer Derek Hartfield on Hear the Wind Sing by Haruki Murakami, his debut novel.

Synopsis

The trigger was a wrong number. A mystery writer in NY, Daniel Quinn accepted the case of Peter Stillman, as a private detective Paul Auster. Virginia Stillman, the wife of Peter Stillman, requested him to watch the same name father, Peter Stillman would discharge soon, the former professor of Columbia University wrote a book of extraordinary and occultist religious theory. He shut up his son in a room for nine years.

Quinn watched Stillman during two weeks, but he was wandering around a constant area of town only. Quinn tried to talk to Stillman but his talkings were incoherent. A day, Stillman suddenly checked out of the hotel he stayed, so Quinn lost track of Stillman…

Summaries of Each Chapter

1

Daniel Quinn, a mystery novelist lived in New York, caught wrong number phone calls to Paul Auster as a private detective. 4 days later, he changed his mind, he answered the phone call and accepted the case, as Paul Auster.

2

The next morning, Quinn visited the gorgeous apartment of the client, Peter Stillman Jr.. He met his wife Virginia Stillman, and was compelled to hear a long confused talk by Peter.

3

The speech by Peter was over, a whole day had gone by. Virginia talked about the history of Peter and his family. Peter’s father was a scholar of philosophy and religion, but he divorced and resigned Columbia University and shut himself in a house, was devote to and became seriously believe his extraordinary religious theory. And he shut his son in a room during nine years. And Virginia said Peter Stillman Sr. would be released on the next day. She requested Quinn to watch him. Quinn accepted the request, and received a five hundred dollars cheque and a picture of Peter Stillman Sr. twenty years ago. Then she passionately kissed Quinn.

4

Quinn reflected about the episodes about isolated children like Stillman Jr. and wild boys.

5

In his way to home, Quinn visited the Heights Luncheonette to eat dinner. And Quinn talked about New York Mets with an acquaintance and a counterman. After the finished eating, he bought a red spiral notebook at the stationary corner.

Then in his apartment, he write his initials D.Q. on the first page.

6

In the next morning, Quinn read a book The Garden and the Tower: Early Visions of New World written by Peter Stillman Sr. at Columbia library.

The content is an occultist, audacious, deranged and confused theory about the Book of Genesis, the birth of language, the Tower of Babel, the New World and the life of Henry Dark, which justified the foundation of the USA.

7

Quinn arrived Grand Central Terminal at just past fourearlier than the time Stillman would come, six forty-one, to investigate the geography of the place. Quinn reflected his duty as Paul Auster while he was wandering the station.

At past five o’clock, Quinn went to the waiting room. A young woman sat on his right, read a book written by Quinn, Suicide Squeeze by William Wilson, the first volume of the Max Work novels. Quinn had been watching her and the book too hard, so she said “You got a problem, mister?”. They chatted about the book, and she said “It passes the time, I guess. Anyway, it’s no big deal. It’s just a book.”

Quinn moved in front of gate twenty-four, the point Stillman Sr. would get off. The train arrived and Quinn found Stillman Sr. in a crowd. At the threshold of the station, Quinn saw an illusion of the second Stillman Sr. who had prosperous air and an expensive blue suite. Quinn followed the first Stillman. Stillman entered and stayed the Hotel Harmony at 99th Street, a small fleabag for down-and-outs.

8

Quinn watched Stillman Sr., but he only wandered around the constant area of town and picked up something from the ground and sometime kept them in his suite case. The situation lasted for about two weeks. Quinn can’t comprehend what he did. To follow wandering Stillman Sr. is a technique of reversal, Quinn felt to take the lead occasionally, but basically, wandering is a kind of mindlessness.

Quinn called Virginia and said Stillman Sr. wasn’t a menace, and he suggested the case put an end. But she requested to continue watching Stillman for more two days. He demanded do the task by his own way.

Quinn drew the traces by Stillman Sr. on his note, and he found his traces formed the spelling of a word “TOWER OF BABEL”. He confused and doubted that Stillman intentionally did it and noticed the presence of Quinn.

9

Finally, Quinn talked to Stillman Sr.. Stillman explained his work is inventing a new language exactly corresponds to physical things.

The second time Quinn talked to Stillman Sr., Stillman remembered him, and Quinn called himself as Henry Dark. Still man answered Henry Dark is a fictional person in his book, and they talked about initials H. D., Henry David Thoreau, Humpty Dumpty and something.

The third time, Stillman didn’t recognize Quinn is the identical person. Quinn called himself as Peter Stillman Jr., then Stillman Sr. talked to Quinn as if Quinn was his son.

The next morning, Quinn visited the Hotel Harmony, but Stillman had checked out of the hotel. In his apartment, Quinn called Virginia Stillman, told he lost track of Stillman Sr. and promised to make phone calls for her every two hours.

10

Quinn searched the yellow page for Paul Auster in Manhattan, to cooperate to him. Quinn visited the room of Auster. Quinn told his name, Auster knew the collection of poetry by Quinn. Auster invited Quinn to his living room and served beer. Quinn explained he searched for a private detective, Paul Auster and matters about Stillman. But Auster answered he was writer and didn’t know the name of Stillman. Then Auster made two ham omelette and they ate, and they talked about Don Quixote Auster was writting an essay about it, and the literary trick of it. Then Auster’s wife and son got back.

11

(…)

12

(…)

13

(…)

Important & Impressive Scenes & Descriptions

Description of New York (1, pp. 3-4)

Thought about mystery novels and detective (1, pp. 7-8)

Quinn picked and bought a red notebook (5, pp. 38 – 39)

A Summary of The Garden and the Tower: Early Visions of New World by Peter Stillman Sr (6)

Vivid and colorful portrayals of Grand Central Terminal (7, p. 51, pp 54 – 55)

A writer, Paul Auster’s thought about Don Quixote (10, pp. 97 – 100)

Writings by ruined Quinn on a red notebook (11, pp. 108 – 111)

Quinn’s dreamy but mysterious experiences in the Stillman’s apartment (13, pp. 129 -132)

Comments, Remarks & Analysis

  • A snobbish postmodernist and avant-garde novel contains many signs and elements, fine little episodes and mentions of classic literature.
  • My first impression, I think this novel resembles Auster’s next novel Ghosts. Both of them is the story the main character was perplexed, confused and manipulated by a mysterious and confused person(s), and the storyline and elements are resemble.
  • This novels is a self-reference novel. Quinn, a writer “Paul Auster” and the narrator are writers, the characters may reflect Paul Auster himself, and the notion what are writing, story and words is an important element in this novel.
  • This novel is an excellent story of stories and writings. The stories in this story splendidly consists this story.
  • I think an outstanding characteristics of Paul Auster’s novels is there were many or some impressive, colourful and vivid scenes and interesting, intellectual and integral descriptions and little fine and funny episodes. They calls a harmony and an elaborated image like music, especially like a symphony or a concerto.
  • Almost works of Paul Auster and contemporary novelists have a structure as to seek a riddle or something, or solve a question. Auster do that activity itself on this novel in a symbolic form. This novel has no conclusion and answer. Many riddles and questions remain. So no conclusion is the answer or conclusion.
  • This novel is not an armchair story, is a story in the city and in motion or moving. I think Auster’s policy of writing a novel is novels should be written in motion or moving and in the city. The main characters of Auster’s novels moved, fought with difficulty, struggled in the real world or a restricted situation, and the stories progress. So it’s Auster’s practice of language game which was mentioned by Wittgenstein. Also in Auster’s novels, characters play their own language games construct words and stories.
  • A sub theme of this novel is a struggle of the view to words and language between Quinn and Stillman Sr.. The former is a contemporary practical language theory like Wittgenstein’s language game or the Saussurean semiology. The latter is like the classical historical language study pursues Proto-Indo-European such as Wilhelm von Humboldt and Jacob Grimm.

Details of the Book

The New York Trilogy
Paul Auster
Faber & Faber, London, 2 Jun 2011
320 pages, £5.99
ISBN: 978-0571276554
Contents:

  • City of Glass
  • Ghorsts
  • The Locked Room

Related Posts and Pages

Synopsis & Book Review | City of Glass

Note | Ghosts

Synopsis & Book Review | Ghosts

Synopsis & Book Review | The Locked Room

Works of Paul Auster

Literature / littérature Page

YouTube Paul Auster Commentary Playlist

YouTube Literature & Philosophy Channel

Books by Paul Auster (US)

eBooks by Paul Auster (US)

Audiobooks by Paul Auster (US)

Paul Auster Author Page (US)

Note | Ghosts from the New York Trilogy by Paul Auster, Faber and Faber, 1992 (Originally Published in 1986)

Information of the Book

Paul Auster’s third (or second) novel and the second volume of the New York Trilogy. And the most symbolic and representative work of the trilogy.

Form, Style & Structure

A novelette uses the form and style of a detective story or mystery story. But it’s a philosophical and psychological story that describes the lack of human existence, the question for self, the emptiness of contemporary routine life and the impossibility of writing a novel or a story. Also, this is a novelette to deconstruct (the form of) story or narrative.

This novelette has no chapter and no blank line. I think it may imply this story is one (imaginary) allegory or a myth, inspite of more than one year passed in this story.

Characters

Blue – A private detective in New York. Blue was fond of deteptive stories and movies, and was not the Sherlock Holmes type. He wanted to dramatic and adventurous cases, but was imposed on a dull case, to watch Black all the time.

Black – A person to investigate by Blue, lives in an apartment in Brooklyn, and worked, wrote something, read books and ate beside the window most of the day. His hobby is to know the life of writers. (177) He said he was a private detective followed and watched a mysterious man who spent unchanging monotonous life over a year, in fact, the man is Blue. His true shape is White. (180 – 184) And he was like the Doppelgänger, the alter-ego or the looking-glass self of Blue. Blue felt friendship, harmony and sympathy for Black, also felt anxiety, fretfulness and hostility. The dilemma is an important plot of this novel.

White – A client of Blue, requested him to follow and investigate Black. When he visited the office of Blue, he disguised himself with a black beard, overly bushy eyebrows and white powder. (137) He appeared with a strange Hallowe’en mask at the Brooklyn Post Office and took a report by Blue. He noticed Blue and run away. (168 – 169) His true shape is Black. The case was devised by him from the beginning.

Brown – The former boss of Blue, told detective methods and skills to Blue. He had retired and lived in Florida, spent most of his time fishing.

Gray – He had been missing for several years, suffered the loss of memory. Blue found him at a bar near the house of Gray’s wife. So Green married with his wife twice. (141 – 142)

Gold – A coroner of Philadelphia. After he had retired, still devoted himself and pursued a murder of a boy. (143 – 144)

Father of Blue (151, 152)

Girlfriend of Black (155)

Red – A bartender uncannily resembles Green. (161)

Violet – A tart was in the bar of Red. She likes blue, Blue slept with her few times. (161 – 162)

Future Mrs. Blue – Blue’s girlfriend. But Blue had not kept in touch with her, because he was busy with Black’s case. She was disgusted with Blue. Blue saw her date with another man. (166)

Jimmy Rose – An poor beggar old man, the little Blue knew. Blue disguised him to talk with Black. (173 – 179)

Places

Apartment rent by White – A small studio apartment on the third floor, directly across the street from Black’s, was in Orange Street, Brooklyn. Strangely, it was fully equipped with furniture, kitchen supplies and a complete set of clothes fits for Blue.

Apartment of Black

Orange Street – A street exists in Brooklyn, New York. There were Blue and Black rooms. Walt Whitman worked on the street, Henry David Thoreau visited there to hear Henry Ward Beecher’s sermon at Plymouth Church, and Abraham Lincoln and Charles Dickens walked through the street and visited the church. It remains traces of persons who passed away (Ghosts) in the street. (174 – 176)

Brooklyn Bridge (150 – 152)

Ebbets Field (161)

Bar (161 – 162)

Movie Theatre – The summer arrived, then Blue occasionally went to a movie theatre. He is fond of the darkness of movie theatre, the pictures on the screen are like the thoughts inside his head. (162 – 164) Movie theatre is the place to watch and devote to a story in the blackness.

Brooklyn Post Office (168 – 169)

Algonquin Hotel (180 – 184)

Key Elements

To speculate – The word root of speculate is the Latin spclatus which means looking on and watching, also is the English spectrum which means mirror. Blue was watching Black, simultaneously he felt he was watching a mirror and himself. (146)

Weekly reports – A text by data or fragments of a person, has no story and meanings.

Art of disguise – It implies anyone can become another person by a novel or a story, but today’s people aren’t really who they are.

Walden by Henry David Thoreau – Irony and cynicism to Blue, Black and this novel. Blue and Black live alone in Brooklyn like Thoreau, however without deep emotion to the Nature and positive philosophical reflection caused by loneliness.

John Roebling and Washington Roebling (151 – 152)

Henry Ward Beecher (160)

Jackie Robinson – The first African-American major leaguer. Jackie Robinson is a symbol of a livid and energetic person who lived a real-life, was active in the real world and bravely struggled for absurdity and hardship. (161)

Out of the Past stars Robert Mitchum (162 – 163)

It’s a Wonderful Life (164)

Ghosts – The word ghost in this novel means traces or spirits of dead persons (176), a metaphor of men of emptiness such as writers (178), detectives and the state of today’s people spent a vacant life. Writers and detectives think out, makeup or trace others’ stories or plots, they don’t live a story of themselves.

Walt Whitman (174 – 176)

Henry Ward Beecher (176)

Take Hawthorne (177)

Writing (178)

Synopsis

A private detective, Blue took a riddle case by White. The request is to watch a mysterious man, Black. But, Black did not do anything. He just sat beside the window, write something, read Walden by Henry David Sorrow and took a brief stroll. To watch and to think about Black, Blue felt complex feelings mixed up friendship, calmness, worry and hostility, and a feeling to watch like a Doppelgänger. Blue searched Black by some measures, but the case didn’t make progress. About one year passed by, Black’s life didn’t vary. A summer day, Blue followed Black, Black took a seat at a lounge of a hotel, and Blue shared the table with Black. Then Black said “I’m a private detective. My current job is to watch someone. He doesn't do anything…"

Plot & Episodes

White requested Blue to follow and watch a man, Black.

Blue started stay an apartment in Brooklyn, and watched and followed Black.

Blue visited the Brooklyn Post Office to watch White. But White ran away, however he continued to sent checks.

Black’s unchangeable and sober routine continued almost one year.

Blue talked with Black at Algonquin Hotel, and disguised Jimmy Rose and talked with him at Orange Street, besides disguised a brush salesman and talked at Black’s room, then I realized White is Black, and this case was plotted by Black.

Bleu got into Black’s room, stole a pile of paper, and he knew it is his reports had sent for White.

Blue met Black in Black’s room and knew the truth of the case, beat him and robbed manuscripts Black wrote.

Blue read Black’s book, the book may be this novel or Blue’s story or biography. Then he got out his room and left New York, then he started his new life.

Impressive Scenes & Descriptions

p. 161

Blue visited Ebbets Field to see Jackie Robinson. This description is vivid.

pp. 170 – 173

Blue concerned about the case. This implies Paul Auster’s thinking about writing and novel.

pp. 173 – 179

Blue disguised Jimmy Rose and talked with Black. This conversation expresses the core of this novel.

pp. 180 – 184

Blue and Black talked at Algonquin Hotel. Black told he was watching a man and the man might write something about his life.

Summaries, Keywords & Comments

pp. 137 – 139

A mysterious man, White visited the office of Blue, and requested to follow and investigate a man named Black and to send weekly reports.

New York ; trail job ; weekly report ; art of disguise ; 3 February 1947 ; small grey satchel ; thirty-eight ; pair of binoculars ; notebook ; Walt Whitman ; Leaves of Grass ; Henry Ward Beecher ; red-brick church

pp. 139 – 142

Blue moved to the apartment across the street from black’s. Strangely, it’s fully equipped with furnitures, kitchen supplies and a complete set of clothes fits for Blue.

fully equipped ; a complete set of clothes

  • The apartment was strangely fully equipped make me think this novel is like a myth or a fairly tale.

He looked out and saw Black was sitting a table and writing something. Then Black paused and gazed out the window. Blue felt that Black was directly looking at him, and his state was a blank stare.

writing ; looking directly ; blank stare ; feels thwarted

pp. 142 – 144

Next morning, Black went to shopping at a small grocery store and backed his room. Blue tried to watch Black but he can’t watch well because of the snow. Blue thought about a article about an ex-autopsy Gold on True Detective. And he cut the picture of Gold and tracked it onto the wall above his bed.

snow ; white pavement ; shadow ; True Detective ; Gold

pp. 144 – 148

The first days, it went for. Nothing happend. Black wrote, read, ate, took brief strolls only. He seemed to notice Blue. Also Blue can’t watch Black around the clock, he have to sleep, eat and do laundry. Blue begun to feel an idleness and to watch Black is like looking into a mirror. Then Blue thought about wild fancies and made up stories that the incident between White and Black is extraordinary significant.

new idleness ; vague shadow ; speculatus ; mirror ; looking glass ; making up stories

  • To watch Black around the clock is impossible. So White’s request is impossible from the start.
  • Detective and police are professions make up a stories of an opponent or a suspect equal to a novelist.

pp. 148 – 150

The day came for Blue to write the first report send for white. He is very good at to write a report. But Blue couldn’t find things to write about the Black case, he managed to write the report.

report ; notebook ; veritable facts ; clues ; legwork ; investigative routine ; existence of the world

pp. 150 – 157

Spring had came, Black strolled larger area. When Black began to climb the staircase leads to the walkway across the Brooklyn Bridge, Blue thought Black leapt down, but he didn’t. Blue thought about John Roebling and Washington Roebling, the engineers built the Brooklyn Bridge, the father of Blue told him theirs episodes. And he thought about father, a cop passed away on duty by the Russo Case, and remembered a episode in Stranger Fiction, a son found his father frozen in a mountain.

  • This novel is also a story of episodes and citations.

Black strolled through Center Streent and Chinatown, then he entered a bookstore, and Blue watched Black. In the meantime, Blue found Walden and bought it. Then Black walked to the central area of Manhattan, and entered a restaurant. He met a girlfriend. Midway through the meal, Blue detected a great sadness of Black’s face and the woman was crying. She walked off to the ladies’ room, but she went back to the table looking a little-better. They got out from the restaurant. Black walked about, paused in front of a travel agency window and looked a poster of the White Mountains. Then he into a cab and returned his apartment. Blue followed him by a cab. Blue found the first cheque from White in his mailbox.

essential or contingent fact ; a poster of the White Mountains ; personal cheque from White ; no record of the payment

  • This scene is an omen to the breakup with future Mrs. Blue.

pp. 157 – 158

Again, Black’s almost same routine continued, nothing happened. Blue was conscious of an ambivalence, he felt a harmony with Black, also felt a loneliness shits him from to watch Black.

barest of routine ; ambivalence ; conflict ; harmony ; loneliness ; true ; false

pp. 158 – 160

Blue wrote a long letters to his ex-boss Brown to consult this case and his distress. Many weeks later, a long reply had arrived, but the content of it disappointed Blue, because it didn’t touch the case and Blue’s distress. Then he felt empty, despondency and self-pity.

empty ; self-pity ; I’m my own man

Blue called the future Mrs. Blue, but there was answer.

pp 160 – 162

Blue felt the paradox that the closer he felt Black, the less he didn’t have to think about Black ; the more deeply entangled he became, the freer he was. So Blue felt a triumph when he went out, and sometimes walked to a church and looked the bronze statue of Henry Ward Beecher then realized noble thoughts about the dignity of man.

paradox ; triumph ; bravery ; lovely spring weather ; bronze statue of Henry Ward Beecher ; Abraham Lincoln ; noble thought ; dignity of man

A fine Tuesday afternoon of May, Blue ventured to go to Ebbetts Field, to watch plays of Jackie Robinson

Jackie Robinson ; sharp clarity of the colours ; distinct from every other thing ; geometric simplicity of the pattern

  • Jackie Robinson is a symbol of livid and energetic person lived a real life and was active in the real world.

pp. 163 – 164

Blue often went to the movie. His favorite was a detective story, Out of the Past stars Robert Mitchum.

  • This vivid citation of the episode the movie implies Blue want to escape from his dull case and sober life.

For the next few days, Blue remembered a movie It’s a Wonderful World !. By the movie, he thought “once that happens, nothing can be done about it.” And, “something happens” “and then it goes on happening forever.” This warning or message, he couldn’t push away and this gloomy thought didn’t leave him.

Markham ; mark him

pp. 164 – 165

Blue tried to read Walden. But he couldn’t read it through, because to read it is a suffering for him, and he associated the hardship of Black’s case with this reading.

prisoner ; escape ; go off and live alone in the woods ; adventure novel ; Emerson ; beginning of the end

pp. 166 – 167

When Blue went to Manhattan following Black, he saw the future Mrs Blue and a man were walking with her arms liked through the arm of a man. Blue called and her, and she got angry and said “You! You!”, then she wept. He realized that he had thrown away his life (by the Black case).

truly the beginning of the end

  • This episode reflects and connects that Black failed in love.

p. 167

moves that can be made ; plans that can be set in motion ; obscure comment as a kind of test ; only the beginning

pp. 167 – 169

Two days later, early in the morning, Blue went to Brooklyn Post Office. He hid and waited for White would take the report by Blue. A man with a mask that children wear on Hallowe’en, made of rubber and portraying some hideous monster, and ordinary outfits, came and took the report. He noticed Blue was approaching, and run away by dash.

one though sand and one

pp. 169 – 170

Two days later, Blue received a cheque by mail from White. On it, White wrote “No more funny business”.

cracked White’s wall of silence ; each conundrum until the whole structure begins to weaken

p. 170

Following few weeks, Blue went to the post office, but White was not appeared, because the area is open twenty-four hours, so White could visit there at midnight or early morning.

pp. 170 – 173

Almost one year had passed, but the situation didn’t changed. Blue reflected the terribleness and the complexity of this case. He thought he was forced to follow Black’s story written by him. But it wasn’t interesting like Walden and Blue couldn’t concentrate it and couldn’t make or built story by Black’s separated fragments and randm data. Then Blue realized White may be a true “writer” of “this story”.

man in the middle ; “We are not where we are, but in a false position.” ; prisoner of the case itself ; the story ; so-called writer of this book ; clusters of random data ; dictionary in alphabetical order

  • This part is a confession of Auster's thought about literature and writing, and the impossibility and the doubt of writing a novel in the contemporary society.
  • By Auster’s thought, story is only built by others’ fragments and data for better or worse. And writer or novelist doesn’t live his own real life.

pp. 173 – 179

In a day of midsummer, Blue disguised an old beggar Jimmy Rose, sat down on the Orange Street and contacted to Black. Black sat down next to Jimmy Rose, and they intimately talked about Walt Whitman, Henry David Thoreau, Bronson Alcott and Take Hawthorme for a long time. And Black said his hobby to how American writers live, it helps him to understanding things and writing is a solitary business. So Black said "Another ghost”.

Walt Whitman ; every man has his double somewhere ; phrenology ; brain and skull ; scarecrow in the land of Oz ; who lived in alone in the woods ; Plymouth Church ; Henry Ward Beacher’s sermon ; Abraham Lincoln ; Charles Dickens; Ghosts ; Bronson Alcott ; Myrtle Avenue ; Take Hawthorme ; shut himself up in his room ; Wakefield

  • Ghosts are traces of dead persons and a metaphor of a writer who don’t live his own life.

pp. 179 – 180

Blue went back to his room and he concerned about why Black talked to Jimmy Rose friendly for a long time, after all, he realized Black knew who Blue is and everything.

talking in riddles ; loneliness ; solitude ; hermetic routine ; dilemma ; meagre hope ; Why do you lie ? ; shadow of doubt

pp. 180 – 184

The next night, Blue followed Black. Black got off Times Square, entered the Algonquin Hotel and sat down a corner nook of the lobby. The place is crowded so Blue asked to share the table with Black. They drunk liquor and made a small talk. Blue introduced himself as Snow, a life insurance salesman. Black said “I’m a private detective” all cool and collected, and his job was to watch a man who didn’t do anything, he just sat in his room all day and wrote, so the job is dull and he was losing his mind. Then Black said the man would write the story of himself, he needed Black to prove he’s alive, and a tear fell down.

Times Square ; Black and White on the rocks ; life experiences ; every job has its routines ; out of ordinary ; writing about himself ; story of his life ; nothing makes sense ; to prove he’s alive ; wait until the champagne is opened

pp. 184 – 185

Blue returned his apartment. He had broken through something, but he was disappointed by the fact he was a part of this case and Black’s problem is also his own problem. And, he assured White doesn’t exit, Black acted White. Blue lay down a bed and thought about colours and things has them.

poor soul ; its own colours

  • Colours are signifier and surfacial meaning of things and persons, implies today’s people and things has no soul and content.

pp. 185 – 188

Next morning, Blue disguised the Fuller brush salesman and visited the room of Black to look inside of it. The room is austere like monk’s cell and there are few furnitures. And Blue found some books, Walden, Leaves of Grass and Twice-Told Tales, and piles of written paper. Black said he is a writer and wrote a big book for many years.

picking the lock on the front door ; old thrill ; uncapped fountain pen ; even more austere ; monk’s cell ; several books ; Walden ; Leaves of Grass ; Twice-Told Tales ; piles of paper

pp. 188 – 190

Finally, Blue intruded Black’s room. But he blacked out and collapsing to the floor. He regained consciousness, then he rapidly gathered up a paper pile on Black’s desk, and he left Black’s room.

fresh torment of self-doubt ; pilgrim in the new world ; this will be a start

pp. 190 – 192

(…)

pp. 192 – 197

(…)

pp. 197 – 198

(…)

Remarks

  • This novel is a detective story without an incident and a mystery without a murder, and no significant incident occurred. Also, it’s a novel to find the incident and the enigma themselves.
  • To watch Black around the clock is impossible. So White’s request is impossible from the start.
  • Blue may be the subjectivity of the author, Black may be the objectivity of him. Or Black is Paul Auster himself as a writer, and Blue is Paul Auster reflect himself as an ordinary person.
  • This novel is also a story of many excellent, vivid and skillful citations and cited episodes. Citations are Blue’s aspiration in his head and his wish to escape from dull Black’s case and unexciting life. Also, the story is made up of parts and fragments, it's the thought for the literature of Paul Auster. By Auster’s thought, a story is only built by others’ fragments and data for better or worse. And writer or novelist doesn’t live his own real life.
  • Characters are named by colour. It has an effect the world of this novel appears monotonous, colourless and blur to a reader. Colours are signifiers or surficial meanings of things and persons, implies today’s people and things have no soul and content. The colours strengthen the world of this novel become monotonous.
  • The expression “in black and white” means “by the form of a printed text”. Blue is a middle content or an actor of this story, is operated by Black and White.
  • A pile of paper in Black’s room is Blue’s weekly reports. So the story of this novel is operated by Black. Blue was controlled by Black, also readers are controlled by him. And the story can’t be said as a proper story, it’s vain and nothing had happened.
  • In the end, Blue read Black’s manuscript and he knew it is his story, biography or this novel Ghosts itself of which readers read. This novel is the novel of a novel, and it implies the anxiety and the impossibility of writing.

Details of the Book

The New York Trilogy
Paul Auster
Faber & Faber, London, 2 Jun 2011
320 pages, £5.99
ISBN: 978-0571276554
Contents:

  • City of Glass
  • Ghorsts
  • The Locked Room

Related Posts and Pages

Synopsis & Book Review | Ghosts

Note | City of Glass

Synopsis & Book Review | City of Glass

Synopsis & Book Review | The Locked Room

Works of Paul Auster

Literature / littérature / Literatur Page

YouTube Paul Auster Commentary Playlist

YouTube Literature & Philosophy Channel

Books by Paul Auster (US)

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Paul Auster Author Page (US)