Music Review | Works of Fabrizio Paterlini

Profile

Fabrizio Paterlini is an Italian composer and pianist. He was a bass player of a band, then he became an orthodox composer and pianist.

His characteristics is the composition has a melancholic and sorrowful tone (but there’s slight hope and will), and his simple and stable piano playing has a tender echo. It suggests abandoned streets and cities, and wild fields which dried up in Europe.

Solo Albums

Viandanze (Fabrizio Paterlini Records, 2009)

“Viandanze” is an early piano solo album of Fabrizio Paterlini. This album is consisted of 12 short piano pieces, and they are simple and beautiful excellent piano music. I feel mindlessness, purity and eternity also mercy by these compositions and playings.

The title song, “Viandanze” is emotional and/but misery impressive good music.

Fragments Found (Fabrizio Paterlini Records, 2010)

“Fragments Found” is a piano solo album was self-released by Fabrizio Paterlini. It consist of 10 short piano pieces. Half of them are melancholic and sorrow compositions, the rest is bright and slight cheerful compositions. They may express various feelings, emotions, senses and sentiments in our life. I can feel sings of his true genius and characteristics.

Autumn Stories (Fabrizio Paterlini Records, 2012)

“Autumn Stories” is a piano album by Fabrizio Paterlini which released in 2012. The tracks were simply titled “Week” plus “No. (1 to 14)”. They are simple and minimal or fragmental piano pieces, there’s a Minimal Music tendency. Some songs were accompanied by a stringed instrument or string quartet.

“Week No. 6”, “No. 7” and “No. 8” are good minimal compositions like Philip Glass, also there is the iconic melancholic taste of Paterlini.

“Week No. 10” is an impressive middle-tempo left and right hands arpeggio song.

“Week No. 11”, “No. 12” and “No. 13” are the unique iconic style melancholic, tragic and apathetic or bit grandiose compositions by Paterlini. The songs precede to present his unique style, later completely shown in “The Art of the Piano”.

“Week No. 14” is a fragmental piano phrase with a cello low-tone accompaniment.

Now (Fabrizio Paterlini Records, 2013)

“Now” is a Post-classical and Electronica album by Fabrizio Paterlini released in 2013. All tracks are piano based recordings. On Electronica tracks, he collaborated with an artist, London-DC. And some tracks were added drums! Songs with a strings accompaniment are cover versions of the former album “Autumn Stories”.

“Darkness is Not the Opposite of Light” is a song of minimal piano arpeggios and passages with a string quartet accompaniment. I like this song.

“Iceland” is an impressive passages of highly processed piano by compressor with a string quartet.

“My Perfect Time” is a melancholic and beautiful piano and strings song with pads, reflections and clap or pluck noises.

“Silent Eyes” is a simple and sentimental piano piece with synthesizer pad chord backings.

“Finale” and “There’s a Light We Might See” are Classical and, orthodox and grandiose bur modern Piano Quartet song. They are very good compositions are arrangements.

A good quality Post-classical album and one of best works of Post-classical piano quintet.

The Art of the Piano (p*dis, 2014)

Fabrizio Paterlini’s piano solo album released in 2014. He succeeded in completely establish his original iconic composition and musical style have melancholic and pathetic mood.

The 1st track, “Somehow Familiar” is a bright song for his composition, but it’s minor key. The piano touches are few but he made use of chord plays with a delay effect to the piano well.

“Conversion With Myself” and “Broken” are songs of the iconic and unique compositions own melancholic, sorrowful and deserted mood.

“Wind Song” is a good song features developments of an impressive riff and a passage.

This album is Fabrizio Paterlini’s excellent master-piece in his piano solo works. Please, listen, everyone!

Live in Bratislava ((self released), 2015)

“Live in Bratislava” is a live album by Fabrizio Paterlini.

This album is consist of various styles of works of his career. From piano solo, piano quartet to Electronica with a drum machine(s). And “Always Let It Go”, “Carpathian Mountains” and some songs are unleashed tracks.

You can enjoy his works by a concert grand piano and a hall acoustics and reflections, and a concert atmosphere and tension. Primely he recorded songs in his home studio with relax.

Winter Stories (Memory Recording, 2018)

“Winter Stories” is a piano solo album by Fabrizio Paterlini. The compositions were written by the method of Classical Music. There’s sentimental, solitary and apathetic mood. And his expression had progressed from the former works, that he vividly established in “The Art of Piano”, it’s expression of passion and emotion. There’s passion or emotion in sorrow and misery. The piano plays are more dynamic, some songs are higher-tempo.

Transition I (Memory Recordings, 2019)

“Transitions” are a piano solo recording at the Villa Dionisi, an old hotel in Cerea, Verona. The concept of the session is playing piano improvisational with no composition. The lengths of songs are about 2 minutes. The recording releases of the session are three volumes.

This first volume is consist of eight songs are fragmental and vague than usual. There’s no clear theme and melodies. The mood and is melancholic and sentimental. This album seems to be a reflection for himself by playing piano. He broke his own style to find his new style.

Transition II (Memory Recordings, 2020)

The second release of the “Transition Session”. The music is agressive, clear and there’s many repetitions of passages. The tendency of this album is Minimal Music which associates Philip Glass. And this volume is piano experiments and a musical pursuit by Paterlini.

Transition III (Memory Recordings, 2020)

The last volume of the “Transition” series. The piano plays are minimal but melodic also sorrowful. The piano tone in this album is clear and solid.

The “Transition” session is Fabrizio Paterlini’s musical travel, and his reflection or searching for self.

LifeBlood (Memory Recordings, 2021)

“LifeBlood” is a Post-classical album by Fabrizio Paterlini. After the release of the “Transition” series, he reflected his musical roots, core and prospects, then he realized they are piano solo music and cinematic music. So this album was divided two parts. The former is the part of piano quintet and some songs were attached synthesizers and electronic percussions. The later is it of piano solo music.

“And We Go Again” is a minimal piano quartet song, in some parts, sythesizer sequences and electronic percussions joined.

“For My Kids” is a gentle, bright and nostalgic piano quartet song. A rare and impressive sweet song as for Paterlini. I like this song.

“Thoughts” and “Thoughts (Reprise)” are bright but sorrowful minimal short piano pieces.

“Solitude” is a simple and gentle piano solo piece.

“White Forest (In Kazan)” is Paterlini’s iconic style of a solitary and elegant piano piece.

“LifeBlood” and “Summer Sketch” are also the iconic style compositions, despite they are more melodic and melancholic simultaneously.

“Obsession” is an improvisational minimal piano piece, this taste appeared following albums.

The Studio Sessions (Memory Recordings, 2021)

“The Studio Sessions” is a his private studio piano recital album by Fabrizio Paterlini. The recordings were held by his own uplight piano and the cover of which is open and recorded directly by microphones. And this sessions live streamed on YouTube, in 2020.

The sound includes key touch, hummer and pedal noises, also his breath, rustle of his clothes and other noises. The recordings and plays have a very familiar, intimate and relax mood. There’s no gap between songs. Piano plays flow nonstop. The recital progresses nonstop. So you can absorbed in his music.

It’s a kind of his the best album of Fabrizio Paterlini. And, a great fruit of his musical career and his aptitude.

FIFTH (Memory Recordings, 2023)

“FIFTH” is an Post-classical album by Fabrizio Paterlini, and it’s the compilation of his “Four Elements” series, “ARIA”, “ACQUA”, “TERRA” and “FUCCO” EPs. He adopted various styles of arrangements such as piano solo, piano quintet, organ play and Ambient.

“FUCCO” is the iconic sentimental style of piano solo composition of Paterlini.

“Everything Flows” is the iconic style piano solo with many effects for the piano tone. The same “Away” is a piano piece with attached rain falling environmental noises.

“TERRA” is a significant piano quintet with atmosphoric vague strings are modulated by reverb and/or chorus.

“Space Between” is a piano arpeggio with a strings accompaniment recording like Ambient.

“Under the Sea” is a serious song is consist of melancholic piano phrases with long tone strings chord accompagniments.

“On My Way Home” is also a iconic sorrowful piano solo piece.

“Aria” is a short melancholic piano solo piece of melodies like singing.

“Following the Clouds” is a very melancholic and sorrowful also serious and beautiful piano solo piece is suitable for the ending.

Resources and Links

Fabrizio Paterlini (Official Site)

Wikipedia (IT)

Discogs

Facebook Page

Bandcamp

Linktree

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Music Review | Works of Henning Schmiedt

Profile

Henning Schmiedt is Berlin based composer-pianist, born in 1965. His characteristics is the combination of orthodox piano composing and harmony, piano playing deeply influenced by jazz improvisation and sound and recording approaches of new and digital technologies.

Solo Albums

Klavierraum (FLAU, 2008)

“Klavierraum” is Henning Schmiedt’s album released from FLAU in 2008, the label is managed by Japanese Electronica artist “aus”.

This album is consist of 15 tracks, and almost tracks were made by improvisational piano solo and electronic ambience or noise. His piano improvisation play is deeply influenced by Jazz, but it includes pure and simple tone of classical music. And background electronic sound may be made with ambience part of piano effects, what is more he processed effects or Cycling 74′ MAX.

Theme of this album is his daily life. Almost songs are named by ordinary foods and daily things. So the songs is suitable for relaxing music and background music of noon or afternoon of our everyday life.

The track 12, “Kla” is classical composed song with very beautiful melody of Celtic taste, and when I listen this song I become peaceful and quiet state of mind. Also, the track 14 “Raum” is classical composed song too, features an impressive piano backing theme. A very beautiful and precious song. I associate gentle rain falling with to listen to this song.

About 10 years ago (2013 – 2014), “Raum” played repeatedly during 17:00 to 18:00 in my local shopping street. The street and the town looked very shine and happy to me. I felt very refreshed and happy.

Wolken (FLAU, 2009)

“Wolken” is a piano solo album of Henning Schmiedt released by Flau in 2009. It contains 12 tracks and 10 songs simply named Wolke plus a number (Eins, Zwei, Drei…) The songs were played by floating improvisational piano was influenced by Jazz. The piano tone is clear and sharp also gentle. The compositions are based on classical music and its structure, passage and backing. But he played by a swinging and swaying rhythm jazzy improvisation like the sun flickering and the harmonies have no heavy and dull Jazz mood.

And, so this music is a very bright, refreshing, cute and cheerful and original and unique music matches the ordinary life, a fine sunny day and a time of walking or shopping.

The cover art matches and correspond with this bright and refreshing music. I felt a clear blue sky, flexibly changing forms and traces of clouds (Wolke means cloud.), sun flickers on the sea and children’s pureness.

Spazieren (FLAU, 2011)

“Spazieren” is Henning Schmiedt’s piano solo album released in 2011 by FLAU. This album contains 29 tracks and each song may describe a scene of his strolling.

I think this album is his first authentic and orthodox piano album. Compositions are more classical and orthodox than former albums, and piano tones are very clear and usual. The songs own the traditional also today’s German atmosphere and echoe, like a green plain and a forest of the cover art. But they are not heavy and significant, are fresh, bright and brand-new.

Schnee (FLAU, 2012)

The album, “Schnee” released in 2012. All songs are basically a piano solo songs, but they are attached electronic noises and clicks, piano reflections and/or pads.

The songs and piano plays are expressed his characteristics, the combination of improvisation play influenced by Jazz, and classical bright harmonies. Also this album has a tendency to Jazz improvisation.

“Ein Ersten Stern” is a sweet song based on traditional and European ethnic melodies. “Weißer Tanz” is a melancholic but vivid song.

A nice and neutral fine work of Henning Schmiedt.

Walzer (FLAU, 2015)

“Walzer” is one of masterpieces of Post-classical and today’s piano solo music and I think the representative work of Henning Schmiedt. The songs are so sweet, elegant and precious, also melancholic but bright, cute but rigorous, innocent but nihilistic, significant but familiar. I think it shows the preciousness of our ordinary life.

The fruit of his music career and his life. He splendidly expressed his sense and technic of classical composition, and mixture of various memories and feelings. This album owns a tendency of this orthodox classical compositions, almost songs are three beat and waltz based compositions, but they are not dance music, slow gentle piano pieces. And they own the echo of German music (from Haydn, Beethoven, Wagner, Kraftwerk, NEU!, Andrea Berg to Monika Kruse).

The 2nd track, “Nowhere” expresses the sweetness of the loneliness. The 6th track “Wennschon, Dennschon” is a sweet and cute little waltz piano piece. The 8th track, “Hochzeitslied” must be a piece for weddings. But it has nihilistic feeling as a spice, so it become a so sweet and precious song. 12th track, “Duft von Astern” is a beautiful and delicate sweet piano piece is good for refleshing.

Again, this album is the excellent master-piece of today’s Post-classical piano solo music. I want all music fans to listen to it.

Schöneweide (FLAU, 2017)

This album features Henning Schmiedt’s tendency to classical music composition (Classical 7 : Jazz 3 or Classical 6 : Jazz 4). This album is also basically a piano solo album, but some songs their piano tones are added effectors, and are attached electronic and environmental noises, faint rhythms by electronic percussions, piano reflections including effects.

The mood of this album is more private, intimate, familiar and ennui touch to the former album. A refreshing and relaxing album, and a fine work of Henning Schmiedt.

Klavierraum, sp​ä​ter (FLAU, 2019)

Following to “Klavierraum” (2008), this album is an improvisational piano solo album deeply influenced by Jazz. Backs of the songs are attached synthesizer pads, environmental and electronic noises.

In this album, Schmiedt piano playing owns the Classical music tendency like “Schöneweide”, that is sophisticated and delicate also firm and well built, and the touches are few and carefully selected, compared with the former work “Klavierraum”.

“Guten” and “Morgen!” are pure gentle piano songs with no background pads and noises. A calm and reflective suit.

“3 Teelöffel Backpulver (Terekke Remix)” is a remix song (original one is in “Klavierraum”) of a piano collage, percussions of a rhythm machine, a synth bass and a pad.

“Du und Ich (Mono Fontana Reinterpretation)” is the piano play is dynamic compare with the original, and is attached collages of German chatting voices.

A calm and relaxing, refreshing and reflective album. A good work of Henning Schmiedt.

Schlafen (FLAU, 2020)

“Schlafen” (the word means “Sleeping”) is a piano solo album by Henning Schmiedt. This album inspired by J. S. Bach’s “Goldberg Variations”, and so he wanted to produce a music for sleeping.

The first track and the last track are arranged “Aria” (theme) of “Goldberg Variations”. And on other tracks, Schmiedt freely played his original improvisational variations of the theme like the style of Jazz. The play is obscure, vague and ennui but relaxing. The touches are few and simple. The harmonies are clear, there’s no cloudiness of Jazz.

The sound is natural and atmospheric. It includes key touch noises, hummer noises and studio reflection. Then they are edited by deep reverb and chorus effects.

A silent, insignificant and passionless but relaxing music is good for a sleeping, there are peaceful mind and mood. The taste of this album is similar to Ambient, New Age and Healing Music, but it’s certain that this is pure simple also serious piano work.

Piano Diary (FLAU, 2021)

An album of Henning Schmiedt released in 2021. A collection of various styles improvisational short piano pieces. Almost songs are piano solo, some songs were added a pad, environmental and street noises, and some effects, reverb, chorus or EQ.

He had been played and recorded one short piece everyday during staying home by pandemic. Compositions might not be written on sheet music. They are composed by improvisations and inputted and edited on DAW. So there’s a private and creative mood.

“25 to 7” is impressive nostalgic simple piano piece. The rhythm is swing, touches are bit intense and phrases are sweet.

“Half Past” is a simple and heartfelt song, also Schmiedt’s iconic precious, sweet and melancholic composition.

“Saturday 27th” is a Folk and Traditional music taste song that recalls George Winston.

“Moonlight” is an Ambient song with a piano and (a) pad(s) for a rest and relaxing.

“Friday Night” is Classical taste and refreshing song, but it has an apathetic mood.

“Much Later” is a beautiful and melancholic song of an improvisational piano play with layers of female and male voice pads.

“Too Early” is a song features pad chord sound like myst, piano chord backing and few high-tones ride on the pad. The nice arrangement and wonderfully beautiful song.

“Twentyfive Past Four” is Schmiedt’s characteristic swinging and fragmental, neutral and mindless piano piece that appeared on “Klavierraum” and “Wolken”.

“12:01 AM” is a pad chord loop based Electronica song. The pad sound is very slow attack and release and ambiguous by a reverb or some effects.

A very nice album. You can enjoy and ease off by various style songs.

Piano Miniatures (FLAU, 2022)

“Piano Miniatures” is a piano album by Henning Schmiedt, released in 2022. It is consist of fifteen short piano songs, and on half of them there are synth pad chord loops, one track is a piano with a strings ensemble and some tracks are piano solo but piano tones are arranged by compressor, chorus and reverb effectors. The pads are very high attack and release chord harmony loop with no chord progresssion or chord backings and high tone and the length of one cycle of loop or touches are eight or sixteen bar long, they already appeared on “Too Early” and “12:01 AM” of the former album “Piano Diary”.

“Stille Nacht” is a song of dynamic piano arpeggio and a strings ensemble accompaniment.

“Awake” is the “Wolken” style song with a pad loop.

“Sometime” is sweet and nostalgic also refreshing simple piano piece.

“Therefore” is a Classical but improvisational piano with a pad loop song.

“Because” has a melancholic and Jazz taste, an improvisational and dynamic piano solo piece.

“Flow” is a Classical piano piece has the German echo like the album “Spazieren”.

“Close” is a pad Ambient song with piano fragmental touches.

“Recently” is a plain and neutral but refreshing song.

This album has the neutral and bright tendency like the former album “Piano Diary”. And you can enjoy various tastes and style of Schmiedt’s music.

I recommend this album for who like “Piano Diary”.

Collaborations

bei (FLAU, 2017)

“bei” by Henning Schmiedt & Christoph Berg is an orthodox and Classical, but unique and rare Post-classical violin and piano duo album.

The plays of two players are improvisational and few notes, make use of intervals in time and space, piano and violin phrases crosse and utilize each other.

A very nice and only one piano and violin duo Post-classical album.

Resources und Links

Henning Schmiedt (Official Site, EN & DE)

Facebook Page

FLAU | Henning Schmiedt

Bandcamp | FLAU

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Music Review | Works of Carlos Cipa

Profile

Carlos Cipa is a Münich based composer-pianist. His piano technique and expression is equal to classical concert pianists. He trained classical piano, played drums on various bands and studied composition at the University of Music and Performing Arts in Munich. In 2012, he debut by “The Monarch and the Viceroy” from Denovali Records. He was major debut by “Retronyms” from Warner Classics in 2019.

Solo Albums

“The Monarch and the Viceroy” (Denovali Records, 2012)

Carlos Cipa’s debut album in 2012, and masterpiece of contemporary piano solo music and today’s Post-classical or Neo Classical music, by completed grandiose compositions and high skills. High tempo technical piano pieces. The melancholic and pathetic mood is common to all songs of this album. At the same time his songs recall various human emotions. For example, “Perfect Circles” suggests the feeling of new beginning and anxiety, “Monarch and the Viceroy” suggests loneliness and mediation, “Human Stain” suggests will and hope, “Lost and Delirious” suggests desire and lost.

That is to say this album is one of greatest today’s piano solo music. I want all Post-classical music, Classical music and piano solo music fans to listen.

All Your Life You Walk ((Self Released?), 2014)

A twelve tracked piano solo (?) album by Carlos Cipa released in 2014.

Almost songs left-hand arpeggio backing based middle-tempo songs. Some songs were arranged by effecters or effected piano dubbing. And his piano play made progress in using changing and dynamism of touch from mezzo piano to fortissimo.

“Needle In A Doll” is an impressive dynamic song. The song develops from weak touches of mezzo piano to a passionate expression of fortissimo.

“Broken Light” is a very good song. A sentimental also passionate song a dynamic and hard piano play from mezzo piano to fortissimo.

“Step Out From Home” is a silent and muted but keen impressive nice song like Ryuichi Sakamoto.

“No Where To Be Found” is a simple but impressive melancholic song, it associates the music of Fabrizio Paterlini.

I think the whole taste and the melodies are similar to them of George Winston. A serious and melancholic music is good for self-reflection.

Sculpture ((Self Released?), 2017)

A seven tracked piano solo album. These songs are relatively orthodox, relaxing and sentimental to the debut album. He didn’t use his virtuoso technique in this album, the piano play is calm and delicate.

The compositions are poetic, lyric and ambiguous compostions. Almost tracks have no clear theme and dynamic structure. A good work of Carlos Cipa. You can feel another aspect of Cipa, as the poetic, calm and silent taste.

Correlations (on 11 pianos) (Warner Classics, 2020)

Correlations (on 11 pianos) is a piano solo album by Carlos Cipa from Warner Classics in 2020. The album is consist of 16 tracks played by various acoustic (grand or upright) and electric pianos. All titles are attached the name of piano he played. All tracks are recorded by various piano and various spaces, and he might be compose a song and play by improvisation inspired by the piano and the atmosphere. And he made use of a sound of piano and an acoustics of atmosphere in each place.

This starts by improvisational floating piano pieces. In the middle part, the track 8, “We tell ourselves stories in oder to listen” is his iconic grandiose pathetic song. The track 9 “Promenade III” is a unique composition, cheerful minimal miniature. “Surges” is also Cipa’s iconic grandiose composition and virtuoso piano play song but the song is bright and refreshing one. In the later part, this album ends by improvisational ennui and melancholic songs own or suggest a slight will to the future.

This album is like a journey according to pianos and places by Cipa. Feel and enjoy.

Resources and Links

Carlos Cipa (Official Site)

Bandcamp

Facebook Page

List of All Music Reviews
Post-classical, New Age, Ambient, Minimal Music, Electronica
(English, Deutsch, Français, Español, Italiano)

Jean-Michel Serres Apfel Café Music QR Codes Center English 2024.