Subgenres of House Music

■Acid Jazz mid 80’s – 1995

One of roots of Acid Jazz is House Music. And some artists produced works features House sound and beats especially The Band New Heavies, Incognito, The James Taylor Quartet.

Also the name ‘Acid Jazz’ is named by Gilles Peterson and its a pun of Acid House or Acid Rock. But Acid Jazz has no acid sound like Acid House and Acid Rock.

artists adopt House sound: Incognito, The Band New Heavies, Jazzanova

■Acid House 1985 – early 90’s
Acid House is one of successor of Chicago House. It’s invented by DJ Pierre accidentally. At a production he realized the increased resonance filter strange bizarre sound of Roland TB-303. (It have been regarded as ‘Techno’ sound typically.) ’Acid’ is named by the sound and his track ‘Acid Tracks’ (by the alias of Phuture) is the origin of Acid House.

Acid House was made by few and cheap electronic instruments one or two TB-303, TR-606, TR-626, TR-808 and some effecters. Characteristic of it is repetition of minimal phrases of dope sound of TB-303 make a intoxication and druggy monotonous rhythm of TR series, its BPM 110 to 120.

artists: DJ Pierre (DJ Pierre), Fast Eddie, A Guy Called Gerald

■Ambient House late 80’s – ?

Combines beats like Chicago House and atmospheric synth pads and vocal samples.

artists: KLF, The Orb

■Balearic Beats (Balearic House)

Balearic Beats is created by Paul Oakenfold, Danny Rampling and so on influenced by DJ Alfred from Balearic Island.

artists: Paul Oakenfold, Danny Rampling

■Bassline House

artists: Agent X, DJ Q

■Beat Down House

■Bleep House (Northern Techno)

Bleep House or Northern Techno was born in Sheffield and Leeds by deeply influence of Detroit Techno and basis of British Synth Pop such as Cabaret Voltaire, Human League and Heaven 17.

Many Bleep House records are released by early Warp label.

artists: 808 State, LFO

■Chicago House 1983 –

Chicago House is the (one of) origin of House music. And House Music was named by ‘Warehouse’ the gay club opened in Chicago, 1977.

Frankie Knuckles is the creator of House Music. He was invited as Opening DJ from New York by a Night Club named the Warehouse at Chicago. His DJ play mixes multiple genre music. 1. Conservative hard-line Soul Music (Philly Soul, Motown, Salsoul) 2. Electronic Dance Music from Europe (Technopop, Munich Disco ex. Kraftwerk, Telex, Giorgio Moroder) 3. experimental German Rock, Progressive Rock and Minimal Music to use Chill Out and after hours (ex. Manuel Göttsching ‘E2-E4’, Tangerine Dream) 4. White New Wave Rock music especially has tastes Funk or Afro (ex. Frankie Goes To Hollywood ‘Relax’, New Order ‘Thieves Like Us’ ‘Blue Monday’, Talking Heads ‘Once In A Lifetime’, Clash ‘The Magnificent Seven’) And he played existing discs with a rhythm machine and tapes recorded rhythms. Then Frankie produced own making tracks using singers and musicians in Chicago with rhythm machines and samplers. The Blacks inspired Frankie’s DJ play began to produce using cheap instruments like rhythm machines, synthesizers and samplers. That makes a new style of Dance Music ‘House Music’.

Characteristics of Chicago House are the rhythm of soul music, danceable, experimentalism and progressiveness. Chicago House has various tastes of tracks like Pop Soul or Funk music to experimental minimal music, but almost all of them have both the groove of black music and experimentalism of electronic music. And Chicago House became the roots of Deep House, Acid House, Detroit Techno, Pop House and other many dance music genres and subgenres of House music.

artists: Frankie Knuckles, Ron Hardy, Marshall Jefferson, Lil Louis, Larry Heard, Robert Owens

labels: TRAX, DJ International, Underground

■Chillwave

■Click House

labels: Bpitch Control

■Deep House

Deep House is one of successor of Chicago House. Mershall Jefferson, Larry Heard, Mater C&J are early producers of Deep House. They brought the serious and Jazzy feelings in House music.

Around 2000, Deep House was prosperity by thriving releases of Kevin Yost, Roy Davis JR. and Ron Trent. Their tracks have improvisation like Jazz, elegance and dynamic sound progressions.

artists: Ron Trent, Chez Damier, Jerome Sydenham, Glenn Underground, Derrick Carter, Kevin Yost, Roy Davis JR., Joe Claussell, Shazz

■Deep Progressive

DJs: Chris Fortier, Anthony Pappa

■Detroit House

artists: Theo Parrish, Alton Miller, Moodyman (Kenny Dixson JR.), Omar S

■Detroit Techno 1987 –

Detroit Techno is deeply influenced by Chicago House, And Detroit Techno or Techno started a subgenre of House Music. The differences to Chicago House is the lyricism, cybernetic feeling, higher BPM and more.

artists: Juan Arkins, Derrick May, Kevin Saunderson

■Disco Dub

The predecessor of Disco Dub is Nu House. Disco Dub artists such as Chicken Lips evolved Nu House sound. Characteristic of Disco Dub is avant garde and humorous Dub sound.

■Disco House

artists: Joey Negro

■Dream House

artists: Nylon Moon, Robert Miles

■Dub House

artists: Basic Channel

■Dub Step

■Dutch House

artists: Afrojack, Laidback Luke

■Electroclash

■Electro House

artists: Daft Punk, Steve Aoki, Zedd

■Fidget House

■Filter House

■French House late 90’s –

French House was born in France late 90’s. Influenced by 80’s Disco and Funk sounds, and its sound is take filter effects entirely tracks.

artists: Daft Punk, Bob Sinclar

■French Touch

■Funky House

■Garage House (Garage Sound)

Garage House or Garage Sound is the music played by Larry Levan in Paradise Garage, or is made by Larry Levan and his followers.

It was inspired by Philly Soul, Sal Soul and Westend.

artists & DJs: Larry Levan

■Ghetto House

artists: DJ Funk

■Glitch House

■Happy House

■Handbag House (Diva House)

■Hardbag

■Hard House

artists: Junior Vasquez, Danny Tenaglia, X-Press 2, DJ Duke, Johnny Vicious

■Hip House

labels: DJ international

artists: Soul 2 Soul, Jungle Brothers, Technotronic

■Italo House

■Jazz House

Jazz is the one of basis of club music or dance music. The vogue of Acid Jazz take in Jazz feeling to House music. Talkin’Loud label artists collaborated Masters At Work, and it was fruition in Nuyorican Soul’s releases.

In another orientation, german artists such as Dorfmeister induced fusion of Jazz and dance music.

■Juke

■Kwaito

■Latin House

■Madchester

artists: Mike Pickerling

■Micro House (Microhouse, Buftech, Minimal)

Micro House is the subgenre middle of House and Minimal Techno. Compared to Tech House, it’s defined as ‘housey Minimal Techno’.

artists: Akufen

■Minimal House

■Moombahton

■New Beat 1988 – 1990

New Beat is the music of Belgium and it is invented accidentally. In the beginning of 1988, a DJ plays a 45 rpm record in 33 rpm to adjust crowd become high in drag.

It is a thoroughly no content music. There were repetitions of mechanically sequences, porn imitation kitsch voices and shouts of ‘Aciiid!!’ only.

In the end of 1988, New Beat became a popular music in Belgium. But enter 90’s, New Beat disappeared in the market in haste as lie.

artists: The KLF, Lords of Acid

■New School Breaks

■New Wave Revival

In early 00’s music revival movement of House music transitioned from 70’s music to 80’s one. Typically tracks of the movement has a vocal like Synth Pop like the Cure, synth melodies like the Pet Shop Boys, guitar riffs like Gang of Four and House grooves.

artists: Felix Da Housecat, DJ Hell, Spektrum

■Nu-Disco

Armand Van Helden

■Nu House

Nu House is one of successor of House from UK. It combines House music with Dub and Psychedelic Flavors, was the experimental music created by DJ Harvey and Idjut Boys.

artists: DJ Harvey, Idjut Boys, Faze Action, Crispin Glover, Ashley Beedle, Basement Jaxx, Deep Dish

■Outsider House

■Pop House
In 88’ to 89’, House music got popularity and was liven up hit charts. And major artists and producers took in House music sound and the way of House music production. Around the same time underground House producers began to remix works for major Pop music songs. And some House tracks was a big hit in the worldwide overground scene. For example ‘Pump Up The Volume’ by MARRS, ‘Pump Up The Volume’ by Technotronic ‘Good Life’ and ‘Big Fun’ by Inner City ‘Back to Life’ Soul 2 Soul and ‘Everybody Dance Now’ C+C Music Factory.

artists: Madonna, Lisa Stansfield, CeCe Peniston, Pet Shop Boys, Deee-Lite

■Progressive House early 90’s –

Origins of Progressive House are Trance, Dream Trance, Balearic Beat, Deep House and Italo House. Characteristics of Progressive House are refrains like Trance, tribal rhythms, effective sound feels vast space.

artists: Sasha, John Digweed, Danny Howells, Dave Seaman, Sander Kleinnenberg, James Holden, James Zabiela

labels: Global Underground, Renaissance, EQ Recordings

■Sonic Freak House

Characteristic of Sonic Freak House is tricky sampling collage and distorted sound designing similar to Electronica. It aspires a experimental like early Chicago House.

artists: Terre Thaemlitz, Henrik Schwarz

■Speed Garage

■Swing House

■Tech House late 90’s –

Tech House is the subgenre of House music, is the fusion of House and Techno sound or is the style House tracks take in Techno elements. Typically characteristic of it has House beats and Techno riff and its BPM is around 125.

This subgenre born in UK late 90’s by influenced by Detroit Techno, Chicago House, Deep House and UK House. Tech House rise again in 2007 or 2008 the reaction to the fad of Hard Minimal (Techno) and Schlanz, and become mainstream the current club music scene.

artists: Craig Richards, John Tejada, Radio Slave, Terry Francis, Steve Bug, Akufen, Ricardo Villalobos, Terry Francis, Joris Voorn

labels: Kompakt, Rejected

■Tribal House

■UK Garage

Joey Negro was deeply influenced by Garage House.

■Uplifting Garage

■US House

Larry Levin and Frankie Knuckles were friends, and Chicago House played in Paradise Garage from the beginning, so crowd and DJs in New York are impressed by that. Then House tracks are produced in NY and New Jersey. They are sophisticated and melodious music compared to Chicago House that is simple and primitive.

artists: Ten City, Def Mix Production, David Morales, Satoshi Tomiie, Masters At Work, Roger S, Kerri Chnandler, Danny Krivit, Todd Terry

labels: Quark, Street Wise

■West Coast House

■2 Step

2 step is a derivative of Drum ’n Bass and UK Garage. In UK early 90’s, after hours DJs raised the pitch fullest and mixed A cappella tracks to it. It’s the moment created new music genre Speed Garage or 2 Step.

artists: MJ Cole, Zed Bias, Wookie

Conclusion

Once, the characteristic of House is divided subgenres. Deep House, Hard House and Electro House are completely different subgenres. For example, Hard House DJ can’t play Deep House tracks in his DJ set. On the other hand Techno comparatively has no barriers of subgenres. Subgenres of Techno are connected by the universality of Minimal Techno and Detroit Techno.

Since around middle of 2000’s, The population of Tech House and Deep Progressive reduce divisions of subgenres of House music. But also I can regard the current circumstances of club scene as a ‘confusion’.

Related Posts and Pages

Brief History of Detroit Techno

Genres of Club Music

Genres and Styles of Black Music

Semiological Analysis for DJ play

Consideration Techno Tracks as “Work”

Music Page

French Grammar Memo part 4 (verbs, moods, tenses, negatives, questions)

VERBS

Verbs groups

GROUP 1: infinitife ending in -er.
GROUP 2: infinitife ending in -ir, with present participle in -issant.
GROUP 3: infinitife ending in -ir, with present participle in -ant, and infinitive ending in -re.

Six moods

INDICATIVE is the mood of verbs used to ‘indicate’ facts, actions, events, etc.
SUBJUNCTIVE is the mood of verbs having an ‘underlying’ (sub) ‘connection’ (junctive) with something previously stated, particularly a feeling or an emotion.
CONDITIONAL is the mood of verbs tied to a condition.
IMPERATIVE is the mood of verbs expressing commands, wishes, and the like.
PARTICIPLE is the mood of verbs that take part in two natures, at times verbs, at times adjectives.
INFINITIVE is the mood of verbs whose form has a fixed, incariable ending.

Eight tenses of the indicative mood

(4 SIMPLE TENSES one word – 4 COMPOUND TENSES auxiliary + past participle)
présent (present) – passé composé (compound past)
imparfait (imperfect) – plus-que-parfait (past perfect)
futur (future) – futur antérieur (future perfect)
passé simple (simple past) – passé antérieur (past perfect)

Means of 4 simple tense of the indicative mood

THE PRESENT TENSE is used to talk about what is true at the moment, what happens regularly and what happens now.
THE IMPERFECT TENSE is one of the verb tenses used to talk about the past, especially in descriptions, and to say what used to happen.
THE FUTURE TENSE is a verb tense used to talk about something that will happen or will be true.
THE SIMPLE PAST TENSE is used only in literary or formal style equivalent of the passé composé.

The perfect tense (Passé composé or past indefinite tense)

THE PERFECT is one of the verb tenses used in French talk about the past, especially about actions that took place and were completed in the past.
THE PERFECT TENSE is the tense you will need most to talk about things that have happened or were true in the past. It is used to talk about actions that took place and completed in the past.
The tense has two parts to it. The present tense of the verb avoir or être. + A part of the main verb called THE PAST PARTICIPLE.
Below is the verbs which form their perfect tense with être instead of avoir.
(a group of verbs that are mainly used to talk about movement or a change of some kind, including these ones.)
aller – to go
venir – to come
arriver – to arrive, to happen
partir – to leave, to go
descendre – to go down, to come down, to get off
monter – to go up, to come up
entrer – to go in, to come in
sortir – to go out, to come out
mourir – to die
naître – to be born
devenir – to become
rester – to stay
tomber – to fall

The subjunctive mood

The subjunctive is a verb form that is used in certain circumstances to express some sort of feeling, or to show there is doubt about whether something will happen or whether something is true.
In French the subjunctive is used after certain verbs and conjunctions when two parts of a sentence have different subject.
PRERENT SUBJUNCTIVE TENSE
Present subjunctive tense is to express actions or ideas which are subjective or otherwise uncertain: will/wanting, emotion, doubt, possibility, necessity, judgement.
PAST SUBJUNCTIVE TENSE
(subjunctive of avoir or être + past participle)
Past subjunctive tense is used when the verb in the subordinate clause – the verb that follows que – happened before the verb in the main clause.
IMPERFECT SUBJUNCTIVE TENSE
The imperfect subjunctive is literary verb. Used in a subordinate clause when the main clause is in the past. Its non-literary equivalent is the present subjective.
PLUPERFECT SUBJUNCTIVE TENSE
(imperfect subjunctive of avoir or être + past participle)
Pluperfect subjunctive tense is a literary equivalent of the past subjective. It has an identical twin, the second form of the conditional perfect, which is used in literary si clauses.

The conditional mood

The conditional is a verb form used to talk about the things that would happen pr that would be true under certain conditions. (would) It is also used to say what you would like or need. (could, should)
This mood mentions the conditions below.
Asking for something formally and politely, especially in shops.
Saying what you would like.
Making a suggestion.
Giving advice.
PRESENT CONDITIONAL TENSE
(stem of future tense + endings of imperfect tense)
Present conditional tense is to talk about things that would happen or that would be true under conditions. (would)
It to say what you would like or need. (could, should)
PAST CONDITIONAL TENSE
(conditional of avoir or être + past participle)
Past conditional tense is to express action that would have occurred if in the past circumstances had been different.
The result clause in si clause with the unmet condition in the past perfect.
Be used in a sentence where the unmet condition only implied. Express an unrealized desire in the past.

The imperative mood

An IMPERATIVE is a form of the verb used when giving orders and instructions.
(PRONOUN – GROUP 1 VERBS / GROUP 2 VERBS / GROUP 3 VERBS)
tu – donne / finis / attends
nous – donnons / finissons / attendons
vous – donnez / finissez / attendez

Imperative forms of irregular verbs

(PRONOUN – avoir / être / savoir / vouloir)
tu – aie / sois / sache / veuille
nous – ayons / soyons / sachons / veuillons
vous – ayez / soyez / sachez / veuillez

The participle mood

THE PRESENT PARTICIPLE is a verb form engine in -ing used in English to form verb tense, and which may be used as an adjective or a noun.
To form the present participle of regular -er, -ir and -re verbs, you use the nous form of the present sense and replace the -ons ending with -ant.
donnons – donnant
finissons – finissant
descendons – descendant
Three verbs below have an irregular present participle.
avoir – ayant
être – étant
savoir – sachant
THE PAST PARTICIPLE
(INFINITIVE – TAKE OFF A SUFFIX + ADD A SUFFIX = PAST PARTICIPLE)
donner – donn- + -é = donné
finir – fin- + -i = fini
attendre – attend- + -u = attendu

The infinitive mood

The mood of verbs used to ‘indicate’ facts, actions, events, etc.

Reflexive verbs

s’amuser – to play, to enjoy oneself
s’appeler – be called
s’arrêter – to stop
s’asseoir – to sit down
se baigner – to go swimming
se coucher – to go to bed
se dépêcher – hurry
s’habiller – to get dressed
s’intéresser à – to be interested in
se laver – to wash, to have, to wish
se lever – to get up, to rise, to stand up
se passer – to take place, to happen, to go
se promener – to go for a walk
se rappeler – to remember
se réveiller – to wake up
se trouver – to be (situated)
(SUBJECT PRONOUN – REFLEXIVE PRONOUN = MEANING)
je – me (m’) = myself
tu – te (t’) = yourself
ill, elle, on – se (s’) = himself, herself, itself, oneself
nous – nous = ourselves
vous – vous = yourself, yourselves
ils, elles – se (s’) = themselves

Passive voice

The passive in English is usually similarly in French with the auxiliary verb être plus the past particle. This construction occurs most frequently in the compound past (use compound past of être + past participle) and future (use future of être + past participle).
There is a very important difference between French and English in sentences containing an indirect object. In English we can quite easily turn a normal (active) sentence with an indirect object into a passive sentence.
IMPERFECT: j’étais aimé(e) – I was loved
FUTURE: tu seras aimé(e) – you will be loved
PERFECT: il a été aimé – he was loved
The passive voice are not as common in French. There are two ways that express the same idea.
1. By using the pronoun on (someone or they) with a normal active verb.
2. By using a reflexive verb.

NEGATIVES

Negative word order

To make a sentence negative, place ne before the verb and pas after it.
ne… pas – not
ne… rien – nothing, not… anything
ne… personne – nobody, no one, not… anybody, not… anyone
ne… jamais – never, not… ever
ne… plus – no longer, no more, not… any longer, not… any more
non plus – neither

QUESTIONS

4 ways of asking questions

1. By making your voice go up at the end of the sentence.
2. By using the phrase est-ce-que.
3. By changing round the order of words in a sentence. (Inversion)
4. By using question word.

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French Grammar Memo part 3 (conjunctions, adverbs)

CONJUNCTIONS

Coordinating conjuctions

et – and
mais – but
ou – or
parce que – because
si – if
car – for
comme – as
donc – so, therefore
lorsque – when
quand – when
ne…ni…ni… – neither…nor…
ou…ou, ou bien…out bien… – either…or
que – that, as, than
pendant – while

ADVERBS

How to form adverbs in French

Adverbs are formed in French in much the same way, except that the ending added to the adjective is -ment. This is added to the masculine singular form of the adjective, provided that that form ends in a vowel. If it does not end in a vowel, the -ment is added to the feminine singular adjective.
MASCULINE SINGULAR / FEMININE SINGULAR – ADVERB IN -MENT
désespéré / désespérée – désespérément
facil / facile – facilement
fin / fine – finement
gai / gaie – gaiement
général / générale – généralement
gentil / (gentille) – gentiment
joli / (jolie) – joliment
vrai / vraie – vraiment
commun / commune – communément
obscur / obscure – obscurément
précis / précise – précisément

Irregular adverbs

bon / bonne – bien
mauvais / mauvaise – mal
meilleur / meilleure – mieux
petit / petite – peu
pire / (pire) – pis

Interrogative adverbs

combien – how much, how many
comment – how
où – where
pourquoi – why
quand – when
combien de temps – how long
depuis combien – how long
dans combien de temps – how long before, how long until
après combien de temps – how long (it will be) until, before how long (was it) until, before how long (would it be) until, before (other tenses as needed)
en combien de temps – how long… take (any tense)
pour combien de temps – for how long, how long… intend to…
combien de – how much, how many (with noun)
comment se fait-il que (+ subjunctive) – how come, how does it happen that
d’où – from where, where
jusqu’où – how far
par où – which way, in what direction
(mais) pourquoi donc – (but) why on the earth
de quand (date) – what is the date of origin
jusqu’à quand – how long (with future), until when
après quand – after what date, at what time
à partir de quand – starting when, at what time
depuis quand – how long (with past tense), since when

Comparative adverbs

plus… (que) – more… (than)
mois… (que) – less… (than)
aussi.. (que) – as… as

Superlative adverbs

le plus… (que) – the most… (that)
le mois… (que) – the least… (that)

Adverbs with irregular comparatives and superlatives

(ADVERB / COMPARATIVE / SUPERLATIVE)
beaucoup / plus / le plus
bien / mieux / le mieux
mal / pis, plus mal / le pis, le plus mal
peu / mois / le mois

ci and là

Ci indicates proximity, là indicates distance. Both are used in the formation of adverbial expressions as well.
ci-après – hereafter
ci-contre – opposite
ci-dessous – hereafter, below
ci-dessus – aphorisme, above
ci-devant – formerly
là-bas – over there
là-haut – up there
là-dedans – in there, therein
là-dessous – under there, thereunder
là-dessus – on there, thereon, thereupon
par-ci par-là, de-ci de-là, ici et là, ça et là
Comme ci, comme ça. – SO-so.
par là – that way, in that direction, by that, by those words
de là – from there, thence
ici is the opposite of là.

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